The Revolt Of Craftsmen
Director Ravi Taneja’s Konark, underlined that art cannot exist in isolation. A multi-faceted...
Read MorePosted by Diwan Singh Bajeli | 6th Jun 2018 | India, Review
Director Ravi Taneja’s Konark, underlined that art cannot exist in isolation. A multi-faceted...
Read MorePosted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read MorePosted by Ahram Online | 5th Jun 2018 | Egypt, Festivals, News
In its fifth edition this year, the Backstreet Festival will bring a tantalizing range of artistic...
Read MorePosted by Connor Meeker | 5th Jun 2018 | Canada, Review, Transcultural Collaborations
Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...
Read MorePosted by Zolima Citymag | 4th Jun 2018 | France, Hong Kong, Review, Theatre and Dance
This article is brought to you by Le French May. Long before movie theatres were widespread,...
Read MorePosted by Holly Williams | 4th Jun 2018 | Adaptation, Interview, United Kingdom
So what attracted you to the multimillion-selling novel The Girl On The Train? That could be my...
Read MorePosted by Vikram Phukan | 4th Jun 2018 | India, News, Puppetry, Theatre for Young Audiences
Bengaluru-based Sandbox Collective is in town with two unmissable productions. A rib-tickling play...
Read MorePosted by Carla Chambers-Jeffreys | 4th Jun 2018 | Canada, Review, Theatre and Gender, Theatre and Politics
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
Read MorePosted by Willow White | 3rd Jun 2018 | Canada, LGBTQ+ Theatre, Review, Theatre and Gender
Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...
Read MorePosted by Anna Prosvetova | 3rd Jun 2018 | Directing, Review, Russia, Russian Theatre Abroad
Uncle Vanya is, perhaps, one of the most hopeless plays by Anton Chekhov. Talking about...
Read MorePosted by Kate Youde | 3rd Jun 2018 | Design, Interview, United Kingdom
“It’s a little bit like Forrest Gump’s box of chocolates: you never know what you’re going to...
Read MorePosted by Diwan Singh Bajeli | 3rd Jun 2018 | India, Playwriting, Review, Theatre and Gender
Written by Jayant Dalvi, Savitri explores different perspectives of marriage and its relevance in...
Read MorePosted by Amber Massie-Blomfield | 3rd Jun 2018 | Essay, United Kingdom
I have seen performances in a theatre-on-wheels, an old Welsh steelworks, and a Victorian...
Read MorePosted by Lorena Meeser | 3rd Jun 2018 | Acting, Mexico, Review
The Glass Menagerie is a masterpiece work of Tennessee Williams, it is a jewel of world...
Read MorePosted by Trevor Boffone | 2nd Jun 2018 | Interview, New York, Playwriting, United States of America
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
Read MorePosted by Aleks Sierz | 2nd Jun 2018 | Acting, London, Northern Ireland, Playwriting, Review, United Kingdom
Since the Northern Irish playwright’s death in 2015, Brian Friel’s work is rarely sighted in...
Read MorePosted by Charlotte De Somviele | 1st Jun 2018 | Directing, France, Review
Between re-enactment and appropriation: the as-if strategy of Milo Rau Acclaimed director Milo Rau...
Read MorePosted by Ryan Pepper | 1st Jun 2018 | Canada, Review
Al Lafrance’s one-man show I Think I’m Dead is a captivating autobiographical story of neuroses,...
Read MorePosted by Arts Equator | 1st Jun 2018 | Festivals, News, Singapore, Thailand
At this year’s Singapore International Festival of Arts (SIFA), the two films from Southeast...
Read MorePosted by Jack Wernick | 31st May 2018 | New York, Review, United States of America
The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...
Read More