Connor Meeker

author

“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability

Posted by Connor Meeker | 5th Jun 2018 | Canada, Review, Transcultural Collaborations

Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...

Read More

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

Posted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review

Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
A Magical “Tempest” In Stratford-Upon-Avon by Margaret Rose 26th June 2026
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
A Celebration Of Bremen Past And Present:… by Daniel Meyer-Dinkgräfe 6th July 2026
Oldenburg’s Production Of “Mephisto” Continues And… by Daniel Meyer-Dinkgräfe 25th June 2026

Recent Posts

A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen 6th July 2026
“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest