Featured Archives - Page 148 of 252

Global Queer Plays: A Q & A With Jeremy Tiang And Danish Sheikh

Posted by Oberon Books | 24th Dec 2018 | Interview, LGBTQ+ Theatre, London, United Kingdom

Global Queer Plays, published December 10, is a unique anthology bringing together stories of...

An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe

Posted by Madison Parrotta | 23rd Dec 2018 | Interview, Theatre and Disability, United States of America

A greater push for disability representation in the theatre industry has seen the emergence of...

Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group

Posted by Avra Sidiropoulou | 23rd Dec 2018 | Belgium, Canada, Essay, New York, Transmedia, United States of America

In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...

“THE BIRDS”: Using Theatre to Explore Multilingualism

Posted by Holly Bateman | 22nd Dec 2018 | Applied Theatre, News, United Kingdom

Did you know that corvids, the crow family, are native to every single continent, and found...

2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak

Posted by Nobuko Tanaka | 22nd Dec 2018 | Japan, Musical Theatre, News, Transcultural Collaborations

Musicals have flourished in 2018, with many young stars also helping to sell out straight plays in...

Cybernetics Vs. Decartes

Posted by Orion Maxted | 22nd Dec 2018 | Essay, Europe, Theatre and Science, Transmedia

The Mind of non-Cartesian Theater To contextualize my work HUMAN SIMULATION, I organized a...

Terrific Power: “St. Kilda” at the So-Fi Festival in NYC

Posted by Abigail Weil | 21st Dec 2018 | Festivals, New York, Review, Theatre and Gender, United States of America

Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...

“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman

Posted by David Vernon | 21st Dec 2018 | Interview, New York, Producing, United States of America

By Playwright Fengar Gael, Sycorax is a character referred to, yet never seen, in Shakespeare’s “The Tempest.” But, in Fengar Gael’s story, Sycorax has been alive and waiting for 500 years to tell her side of the story.

Ivan Vyrypaev On Cinema, Theatre, And His Dreams

Posted by Artur Rakovskis | 20th Dec 2018 | Interview, Russia

Ivan Vyrypaev is the internationally known playwright, director, producer, artist, and recipient...

“Magic Mike Live,” London Hippodrome, Review: “A Frenzy Of Hallucinogenic Mansplaining, Fatman Scoop, And Abs”

Posted by Alice Jones | 20th Dec 2018 | London, Review, United Kingdom

As the speakers blasted out Ed Sheeran’s Thinking Out Loud and topless men crept out of the...

Art In Astrophysics: Science in Indian Theatre

Posted by Vikram Phukan | 19th Dec 2018 | Acting, India, Review, Theatre and Science

For some years now, Mumbai-based theatre practitioner Jyoti Dogra has been regaling audiences in...

French Highlights At Chicago International Puppet Theater Festival

Posted by French Culture | 19th Dec 2018 | Chicago, Festivals, France, News, Puppetry, United States of America

The Chicago International Puppet Theater Festival is proud to announce the establishment of The...

“Breath And Imagination”: The Rediscovery Of Roland Hayes

Posted by Jane Baldwin | 18th Dec 2018 | Boston, Musical Theatre, Review, United States of America

Breath And Imagination is a musical, composed and written by Daniel Beaty, largely based on the...

Transformation In Contemporary Indian Theater: Abhilash Pillai’s “Helen”

Posted by Himalay K. Gohel | 17th Dec 2018 | Essay, India, Transmedia

In recent times in India, we have seen the actor’s presence eclipsed by technology in productions...

Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”

Posted by Juno Schwarz | 17th Dec 2018 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom

In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...

Istanbul Theater Festival Draws International Troupes Into The City

Posted by Daily Sabah | 16th Dec 2018 | Festivals, News, Turkey

The 22nd Istanbul Theater Festival hosted many theater and performance groups, as well as...

Anthony Neilson’s “The Tell-Tale Heart” At The National Theatre: Edgar Allan Poe’s Gothic Chiller

Posted by Aleks Sierz | 16th Dec 2018 | London, Review, United Kingdom

Can you really turn a three-page short story into a full-length play? What would you add, and how...

“My Kingdom For A…”–What?! Andrei Şerban’s “Richard III” At The Radnóti Theatre, Budapest

Posted by Natália Pikli | 15th Dec 2018 | Hungary, Review

Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...

Ellen Pearlman: Brain Opera, Telematic Performance, And Decoding Dreams

Posted by Irina Yakubovskaya | 15th Dec 2018 | Interview, New York, Theatre and AI, Theatre and Opera, Transmedia, United States of America

Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...

“A War To End All Wars”: A Memorial Performance

Posted by Zainabu Jallo | 14th Dec 2018 | Interview, Switzerland

How do you conceptualize a memorial that embodies the enormity of a contingency such as World War...

Featured

Global Queer Plays: A Q & A With Jeremy Tiang And Danish Sheikh

An Introduction To The National Disability Theatre: In Conversation With Mickey Rowe

Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group

“THE BIRDS”: Using Theatre to Explore Multilingualism

2018 Was The Year In Japan That Saw The Stage Sing, While Contemporary Drama Barely Made A Squeak

Cybernetics Vs. Decartes

Terrific Power: “St. Kilda” at the So-Fi Festival in NYC

“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman

Ivan Vyrypaev On Cinema, Theatre, And His Dreams

“Magic Mike Live,” London Hippodrome, Review: “A Frenzy Of Hallucinogenic Mansplaining, Fatman Scoop, And Abs”

Art In Astrophysics: Science in Indian Theatre

French Highlights At Chicago International Puppet Theater Festival

“Breath And Imagination”: The Rediscovery Of Roland Hayes

Transformation In Contemporary Indian Theater: Abhilash Pillai’s “Helen”

Theatre Review: Xameleon Theatre Presents “A Dog’s Heart”–”A Brilliantly Clever Production”

Istanbul Theater Festival Draws International Troupes Into The City

Anthony Neilson’s “The Tell-Tale Heart” At The National Theatre: Edgar Allan Poe’s Gothic Chiller

“My Kingdom For A…”–What?! Andrei Şerban’s “Richard III” At The Radnóti Theatre, Budapest

Ellen Pearlman: Brain Opera, Telematic Performance, And Decoding Dreams

“A War To End All Wars”: A Memorial Performance

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