Dancenorth’s “Dust” Is Ambitious Theatre In An Age Of Uncertainty
What kind of world are we leaving for our children? So goes our conversation everywhere these...
Read MorePosted by Justine Shih Pearson | 30th Jan 2019 | Australia, Festivals, Review, Sydney
What kind of world are we leaving for our children? So goes our conversation everywhere these...
Read MorePosted by Akarsh Khurana | 30th Jan 2019 | India, Review
I begin 2019 with the same paragraph I ended 2017 with. Over the last few years, it has become...
Read MorePosted by Christine Deitner | 30th Jan 2019 | Los Angeles, Review, Theatre and Art, United States of America
Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...
Read MorePosted by Wendy Arons | 29th Jan 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Playwright/poet/performer Brian Quijada has hope for the future. That’s not an easy orientation to...
Read MorePosted by Aleks Sierz | 29th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
Read MorePosted by Vikram Phukan | 29th Jan 2019 | Adaptation, India, News
Erich Kästner’s 90-year-old German novella Emil Und Die Detektive (Emil And The Detectives), a...
Read MorePosted by Satyasundar Barik | 28th Jan 2019 | Festivals, India, News
Majestically seated on a bedecked elephant, the colorfully attired Bhubaneswar Pradhan, nicknamed...
Read MorePosted by Alvina Ruprecht | 28th Jan 2019 | Canada, Review
David Lindsay-Abaire in his earlier works was a master of television style sit-coms and Ripcord...
Read MorePosted by Kate Croome | 27th Jan 2019 | Canada, Review
Kate Croome reviews After The Fire by Matthew MacKenzie, a Punctuate! Theatre and Alberta...
Read MorePosted by Aleks Sierz | 27th Jan 2019 | London, Review, Theatre and Politics, United Kingdom
Write what you know, says the adage, and that’s exactly what playwright Ishy Din has done with his...
Read MorePosted by Janelle Lawrence | 26th Jan 2019 | New York, Prototype 2019, Review, Theatre and Opera, United States of America
Walking into the lower theatre at HERE for Train With No Midnight you may have thought you were...
Read MorePosted by Rickey Orr | 26th Jan 2019 | Immersive Theatre, Interview, United States of America
Brian Clowdus was left burned out and unfulfilled as a hustling actor. On a whim on his way back...
Read MorePosted by Nobuko Tanaka | 26th Jan 2019 | Adaptation, Japan, News
In a scoop for Tokyo, Theatre Cocoon in Shibuya Ward is set to mark the new year with the world...
Read MorePosted by Trevor Boffone | 26th Jan 2019 | Festivals, News, United States of America
A lot has happened in the last year—locally in Houston, across the state of Texas, in the United...
Read MorePosted by Aleks Sierz | 25th Jan 2019 | Ireland, London, Nigeria, Review, United Kingdom
Police stop and search activities—the harassment of young, usually black, men in the streets of...
Read MorePosted by Caroline Wake | 25th Jan 2019 | Australia, Canada, Festivals, Review, Theatre and Gender
One of the most exhilarating things about Wesley Enoch’s tenure as Artistic Director of the Sydney...
Read MorePosted by Matthew McMahan | 24th Jan 2019 | Puppetry, Review, Theatre and Film, United States of America
ArtsEmerson, Boston’s hub for international, experimental, and cutting-edge theatre, has invited...
Read MorePosted by Trevor Boffone | 24th Jan 2019 | Festivals, Interview, United States of America
This February, playwright Beto O’Byrne’s The Corrido Of The San Patricios will receive a staged...
Read MorePosted by Eleonore von Bothmer | 24th Jan 2019 | Documentary Theatre, Interview, Switzerland, Theatre and Politics
One of the few court hearings to address the crimes committed in Eastern Congo was actually an art...
Read MorePosted by Renu Ramanath | 23rd Jan 2019 | Festivals, India, News
Despite floods disrupting schedules, the theatre scene in Kerala managed to steal the show this...
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