Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
Read MorePosted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
Read MorePosted by Zolima Citymag | 10th Feb 2019 | Design, Essay, Hong Kong
For an artist known for engaging the political in his work, it’s perhaps impossible for Samson...
Read MorePosted by Michael Ewans | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Opera
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
Read MorePosted by Abigail Weil | 9th Feb 2019 | Festivals, New York, Review, Theatre and Gender, United States of America
When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
Read MorePosted by Jane Baldwin | 9th Feb 2019 | Boston, Review, Theatre and Politics, United States of America
An updated version of Othello now playing at the American Repertory Theatre in Cambridge...
Read MorePosted by Kiu-wai Chu | 9th Feb 2019 | Australia, Review, Sydney, Theatre and Dance
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
Read MorePosted by Zainabu Jallo | 8th Feb 2019 | Review, Switzerland, Theatre and Science, Transmedia
A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...
Read MorePosted by Matthew McMahan | 8th Feb 2019 | Boston, Review, United States of America
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
Read MorePosted by Abigail Weil | 7th Feb 2019 | Festivals, New York, Review, Theatre and Film, Theatre and Gender, United States of America
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
Read MorePosted by Jiřina Hofmanová | 7th Feb 2019 | Czech Republic, Essay, Theatre and Politics
For the first article about Czech theatre, I’ve selected works by two young directors, who belong...
Read MoreThe biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
Read MorePosted by Aleks Sierz | 6th Feb 2019 | London, Review, Theatre and Politics, United Kingdom
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
Read MorePosted by Christine Deitner | 6th Feb 2019 | Los Angeles, Review, Theatre and Politics, United States of America
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
Read MorePosted by Teo Xiao Ting | 5th Feb 2019 | Documentary Theatre, Immersive Theatre, Review, Singapore
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
Read MorePosted by Patrick Langston | 5th Feb 2019 | Canada, Review, Theatre and Science
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
Read MorePosted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America
After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...
Read MorePosted by Michael Appler | 4th Feb 2019 | LGBTQ+ Theatre, New York, Review, United States of America
“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.
Read MorePosted by Russia Beyond | 4th Feb 2019 | Immersive Theatre, News, Russia
Amazing artistic performances, unimaginably difficult tricks, and the highest appraisals from both...
Read MorePosted by Jane Baldwin | 3rd Feb 2019 | Boston, Review, United States of America
Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...
Read MorePosted by Rasoul Nazarzādeh | 3rd Feb 2019 | Iran, Review, Theatre and Gender
The privatization of theatre in Iran has compelled many theatre directors and producers to become...
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