“As You Like It”at The Oregon Shakespeare Festival
To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...
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Staging the Political
With its three transformable stages, the “Schaubühne at Lehniner Platz” is the largest theatre in...
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“The Impossible She” and The Evolution of Queer Stories in Opera
Representation within opera has always been thin; The Impossible She stood to try to expand those...
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“Hairspray” at The Oregon Shakespeare Festival
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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Hollywood Fringe Festival – “The Same Room”
On its 10th Anniversary, the Hollywood Fringe Festival and its almost 400 shows, events and...
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Criticizing Patriarchy and the Status Quo in Iraq: A One-Woman Show
On May 2nd, 2019, at The Institute of Fine Arts in Basra, Banin Abbas, an Iraqi actor, and...
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PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
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The Hollywood Fringe Festival – “The Bully Problem”
It’s Hollywood Fringe Festival time here in Los Angeles, and for those of you who are not...
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In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
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OUT SCORE: Χω/ορικές Σημειογραφίες I
OUT SCORE: Χω/ορικές Σημειογραφίες I is a research program that generates encounters between...
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Rediscovering Ancient Greek Music
“Research into ancient Greek music is pointless”—Giuseppe Verdi “Nobody has ever made head or tail...
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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN
A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...
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Shakespeare and India
The most striking aspect of Shakespeare in India today is that it seems to have at last got over...
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Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
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“Penelope Sleeps” – Mette Edvardsen & Matteo Fargion
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
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“ANNA” at The National Theatre
Stasiland is a fascinating mental space. As a historical location, the former East Germany, or...
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STO Union’s Nadia Ross Charting Her Own Disruptive Course North Of Wakefield
An abandoned high school in the village of Farrellton, Que., just north of Wakefield, seems an...
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“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage
Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...
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“Amour” at Charing Cross Theatre
In Amour at Charing Cross Theatre, Post-World War II Paris is putting itself back together. People...
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