Jan Klata’s “King Lear” at the Theatre Olympics: In the Name of the Father
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Emiliia Dementsova | 2nd Nov 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Emiliia Dementsova | 31st Oct 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
Read MorePosted by Harikumar J S | 30th Oct 2019 | India, LGBTQ+ Theatre, News
Mazhavil Dhwani which works towards the upliftment of the members of the transgender community in...
Read MorePosted by Aisling Murphy | 28th Oct 2019 | Festivals, Review, Romania, Theatre for Young Audiences
The exposed nerve of a reignited public tragedy hangs in the ether of Teatrul Luceafărul Iaşi. We...
Read MorePosted by Emiliia Dementsova | 26th Oct 2019 | Festivals, Review, Russia, Theatre Olympics 2019
The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre...
Read MorePosted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
Read MorePosted by Aisling Murphy | 20th Oct 2019 | Austria, Review, Theatre and Art
Mental Eclipse Theater’s production of Sarah Kane’s Blasted is, admittedly, a mixed experience,...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read MorePosted by Michael Walker | 1st Oct 2019 | Interview, Japan, Musical Theatre
Disturbance is an original musical, making its world premiere in Tokyo this month. We spoke with...
Read MorePosted by Shrinkhla Sahai | 24th Sep 2019 | India, Interview
Grand sets, lavish costumes, technical extravaganza, celebrity actors, and pricey tickets —...
Read MorePosted by Juno Schwarz | 21st Sep 2019 | London, Review, Transmedia, Ukraine, United Kingdom
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read MorePosted by Jack Wernick | 12th Sep 2019 | Interview, New York, Theatre and Politics, United States of America
New York’s storied Cherry Lane Theatre in the West Village was recently the home of the LAByrinth...
Read MorePosted by Ismail Mahomed | 12th Aug 2019 | Festivals, News, South Africa, Theatre and Politics
Ismail Mahomed, CEO of the Market Theatre Foundation, visited the National Arts Festival in...
Read MorePosted by Sohaila Kapur | 30th Jul 2019 | Directing, India, Interview
The ace director has often faced flak from traditionalists. For well over a decade now, Deepan...
Read MorePosted by Ágnes Bakk | 15th Jul 2019 | Hungary, Interview, Theatre and AI, Transmedia
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Jack Wernick | 28th Jun 2019 | Adaptation, New York, Review, United States of America
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
Read MorePosted by Mert Dilek | 20th Jun 2019 | London, Review, Theatre and Politics, United Kingdom
Many a dramatist has imagined what happens to Nora after she slams the door at the end of Ibsen’s...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 17th Jun 2019 | News, Russia
Nowadays, most theaters have stopped using prompters, but the Maly Theater cherishes this...
Read MorePosted by Alvina Ruprecht | 12th Jun 2019 | Canada, Review
Mending Fences is a most beautifully constructed play that appears to concern a dysfunctional...
Read More
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026