Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
Read MorePosted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
Read MorePosted by Duška Radosavljević | 13th Dec 2017 | Dramaturgy, Essay, Participatory Theatre, United Kingdom
Between 2002–2005, I carried the professional title of a Dramaturg in the UK. Even when confronted...
Read MorePosted by Kasia Lech | 22nd Oct 2017 | Directing, Essay, Poland
This series introduces Polish directors whose work is recognized in Poland, but they are...
Read MorePosted by Adam Sherwin | 21st Aug 2017 | London, Management, News, United Kingdom
Michelle Terry, the new artistic director of Shakespeare’s Globe, has promised a return to the...
Read MorePosted by Alice Jones | 9th Aug 2017 | London, Review, United Kingdom
It was only a matter of time before Tom Hiddleston tackled the most famous role in all of theatre....
Read MorePosted by Aida Rocci | 9th Jun 2017 | London, Review, United Kingdom
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
Read MorePosted by Zoe Ryu | 2nd May 2017 | Adaptation, Interview, South Korea, Theatre and Opera
Tae-sook Han’s 2016 production of Lady Macbeth, a Changgeuk (Korean traditional opera),...
Read MorePosted by Ali Pour Issa | 26th Apr 2017 | Adaptation, Iran
How do Iranian artists adapt Shakespeare’s drama? The Iranian directors, Mohammad Aghebati and...
Read MorePosted by Natasha Joseph and Chris Thurman | 17th Apr 2017 | South Africa, Theatre and Decolonization, Theatre for Young Audiences
South Africa’s education authorities are reviewing the school curriculum. Basic Education Minister...
Read MorePosted by Bruce Smith | 11th Apr 2017 | Adaptation, United Kingdom
The Brooklyn Academy of Music (BAM) has been the site of many creative adaptations of...
Read MorePosted by Elizabeth Schafer | 3rd Apr 2017 | Theatre and Gender, United Kingdom
In 1602, a law student called John Manningham saw Twelfth Night, or What You Will, and wrote what...
Read MorePosted by Aida Rocci | 2nd Apr 2017 | Dramaturgy, Immersive Theatre, London, Review, United Kingdom
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
Read MorePosted by Nobuko Tanaka | 1st Apr 2017 | Japan, Transcultural Collaborations
John Caird is widely known as the co-director with fellow Englishman Trevor Nunn of Les...
Read MorePosted by Kasia Lech | 18th Mar 2017 | Directing, Essay, Poland, Theatre and Politics
This series continues to introduce Polish directors recognised in Poland and relatively unknown...
Read MorePosted by Tomasz Wiśniewski | 17th Mar 2017 | Adaptation, Interview, Poland, Theatre and Dance
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
Read MorePosted by Lauren Deutsch | 16th Mar 2017 | Hawaii, Participatory Theatre, Review, Russia, Theatre and Art, Transcultural Collaborations, United States of America
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
Read MorePosted by Mary Mazzilli | 15th Mar 2017 | Adaptation, United Kingdom
Global Shakespeare has been a phenomenon of adaptation, translation, cultural appropriation and...
Read MorePosted by Alice Jones | 13th Mar 2017 | Acting, Interview, London, United Kingdom
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
Read MorePosted by Molly Ziegler | 11th Mar 2017 | Adaptation, United Kingdom
Molly Ziegler reviews Cheek by Jowl’s adaptation of The Winter’s Tale at Glasgow’ Citizen’s Theatre.
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