“Twelfth Night” and Cross-Mobility Casting
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
Read MorePosted by Bryoni Trezise | 2nd Aug 2016 | Australia, Essay, Theatre and Disability
Renowned Shakespearean actor Robert Armin wrote in 1608 of the difference between a “natural” and...
Read MorePosted by Jonathan Kalb | 22nd Jul 2016 | London, Review, Theatre and Politics, United Kingdom
Setting Shakespeare in modern Africa is risky business for a white first-world director. That...
Read MorePosted by Ketaki Datta | 4th Jul 2016 | India, News
Theater performances in India are a costly affair; however, they are in high demand across the...
Read MorePosted by The Theatre Times | 30th Mar 2016 | Egypt, Review
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
Read MorePosted by Rana Khaled | 27th Mar 2016 | Adaptation, Egypt, Interview
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
Read MorePosted by Sheila T. Cavanagh | 3rd Nov 2015 | Essay, Translation, United Kingdom
An uproar ensued after it was reported that the Oregon Shakespeare Festival (OSF) – southern...
Read MorePosted by Maria Pilatowicz | 18th Jun 2015 | Essay, Los Angeles, Poland, Polish Theatre Abroad
“Does anyone still read Jan Kott?” asked Michael Billington, theatre critic, in his article in The...
Read MorePosted by Jessica Rizzo | 16th Jun 2015 | Directing, Interview, Iran
An Interview with Iranian Director Mohammad Aghebati Most young Americans would be hard-pressed to...
Read MorePosted by Claire Hansen | 25th May 2015 | Australia, Review, Theatre and Politics
The Merchant Of Venice (first published in 1600) boasts a problematic and sometimes controversial...
Read MorePosted by Dmitriy Romendik | 6th Jan 2015 | Puppetry, Review, Russia
At the Ten’ (Shadow’) puppet theater in Moscow, audiences can watch plays in miniature or...
Read MorePosted by Eric Rasmussen | 11th Dec 2014 | Essay, United Kingdom
The Shakespeare First Folio (1623), the first collected edition of his plays and the sole source...
Read MorePosted by Iryna Chuzhynova | 10th Nov 2014 | News, Russia, Theatre and Opera
The premiere of the opera Coriolanus based on a play by Shakespeare and staged by Vlad Troitsky is...
Read MorePosted by Alena Karas | 7th Nov 2014 | Review, Russia, Transcultural Collaborations
Visit closes with Moscow performances of A Midsummer Night’s Dream. London’s Globe...
Read MorePosted by Gail Marshall | 24th Sep 2014 | Essay, Theatre and Gender, United Kingdom
Several British theatres have made a pledge to address the levels of gender inequality on the...
Read MorePosted by The Theatre Times | 17th Sep 2014 | Australia, Dramaturgy, News, Sydney
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
Read MorePosted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read MorePosted by Dmitriy Romendik | 4th Jun 2014 | News, Russia, Theatre and Politics
Director and artist Dmitry Krymov’s production of Opus No.7, about the Holocaust and the...
Read MorePosted by Mara Valderrama | 5th May 2014 | Interview, Playwriting, Spain
Alberto Conejero Lopez is a Spanish playwright and director, who has published or premiered more...
Read MorePosted by Tony Howard | 24th Apr 2014 | Essay, Festivals, United Kingdom
We’ve been celebrating Shakespeare’s 450th birthday week with fun, festivals, exhibitions, a cake...
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