A New Staging of Enesco’s “OEdipe” at Paris Opera by Wajdi Mouawad
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
Read MorePosted by Marisa C. Hayes | 18th Nov 2021 | France, Review, Theatre and Opera, Transcultural Collaborations
It’s been nearly 100 years since George Enesco’s Œdipe (Oedipus) was created to much success on...
Read MorePosted by Marisa C. Hayes | 6th Oct 2021 | Europe, France, Latest, Review, Theatre and Opera, Transcultural Collaborations
Gluck’s Iphégenie en Tauride doesn’t waste any time ushering the viewer into its mystical score....
Read MorePosted by French Press Agency (AFP) | 29th Sep 2021 | Adaptation, Belgium, Review, Theatre and Opera
Based on an American novel detailing the country’s troubled 20th century, the new Belgian...
Read MorePosted by Marisa C. Hayes | 20th Sep 2021 | Festivals, France, Review, Theatre and Opera, Transmedia
Does a diva ever really die? It’s a fitting question from the reigning queen of endurance art,...
Read MorePosted by Allison Berkoy | 29th Aug 2021 | Estonia, Interview, Theatre and AI, Theatre and Opera, Theatre and Science
This is PART 2 of the interview. To read PART 1, click here. AB: What questions were you exploring...
Read MorePosted by Allison Berkoy | 24th Aug 2021 | Estonia, Interview, Theatre and AI, Theatre and Opera, Theatre and Science
Conducted 2/17/20 by Allison Berkoy, Assistant Professor City Tech, CUNY New York. This interview...
Read MorePosted by Jingyi Zhang | 23rd Jul 2021 | Review, Theatre and Opera, United States of America
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
Read MorePosted by Jingyi Zhang | 16th May 2021 | Hong Kong, Review, Theatre and AI, Theatre and Opera, Transmedia
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
Read MorePosted by Peter Tregear | 6th Oct 2020 | Australia, Covid-19, Theatre and Opera
Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...
Read MorePosted by Neil Thomas Smith | 23rd Sep 2020 | Covid-19, Devised Theatre, Producing
You pass through a wide doorway to a large space with good air circulation. Inside, an usher...
Read MorePosted by Dennis Altman | 10th Jul 2020 | Musical Theatre, Review, Theatre and Art, United States of America
When Disney released a film version of the musical Hamilton on July 3, it was 11 years since...
Read MorePosted by Melanie Walters | 6th May 2020 | Australia, News, Sydney, Theatre and Gender, Theatre and Opera
There are very few silver linings that have developed from the current catastrophic health crisis,...
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
Read MorePosted by Abigail Weil | 26th Jan 2020 | Adaptation, New York, Prototype 2020, Review, Theatre and Opera, United States of America
Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian...
Read MorePosted by Alexander Nderitu | 9th Jan 2020 | Africa, Musical Theatre, News
Methodology The most-searched-for musicals in Kenya, online, are High School Musical, The Lion...
Read MorePosted by James Montaño | 9th Nov 2019 | Adaptation, Boston, Review, South Africa, Theatre and Opera, United States of America
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
Read MorePosted by Antonio Hernández | 22nd Oct 2019 | Germany, Review, Theatre and Opera
Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Agata Araszkiewicz | 11th Oct 2019 | Afghanistan, Belgium, Essay, Poland, Theatre and Opera
Opera is filled with tales of violence. Its whole history relies on great passions tragically...
Read MorePosted by Yana Meerzon | 6th Aug 2019 | Avignon 2019, Festivals, France, Review, United Kingdom
Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
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