“Terror”: Theatre as Discussion on Ethics and the Law
With his debut play Terror, the lawyer and best-selling German author Ferdinand von Schirach...
Read MorePosted by Detlev Baur | 22nd Feb 2017 | Germany, Playwriting, Theatre and Politics
With his debut play Terror, the lawyer and best-selling German author Ferdinand von Schirach...
Read MorePosted by Clement Lee | 22nd Feb 2017 | China, Hong Kong, Review, Theatre and Politics
A Concise History of Future, Yan Pat-to’s new Berlin Theatertreffen Stückemarkt award-winning...
Read MorePosted by Lyndall Grant | 20th Feb 2017 | Australia, China, Review, Theatre and Politics, Transcultural Collaborations
China’s one-child policy officially ended in 2016. Little Emperors, currently showing at...
Read MorePosted by Aleks Sierz | 19th Feb 2017 | London, Review, Theatre and Politics, United Kingdom
Young British writers are often surprisingly unadventurous when it comes to locating their plays...
Read MorePosted by Lisa Peschel | 18th Feb 2017 | Czech Republic, Theatre and Politics, United Kingdom
The film Denial, which opened in the U.K. on Holocaust Memorial Day, tells the story of author...
Read MorePosted by Aleks Sierz | 14th Feb 2017 | Germany, Review, Theatre and Politics, Translation, United Kingdom
A day or so after Theresa May’s keynote speech about Brexit the words Europe and European carry an...
Read MorePosted by Robert Reid | 14th Feb 2017 | Adaptation, Theatre and Politics, United Kingdom
Orwell’s novel 1984 is currently a bestseller in the U.S. We can soon expect many...
Read MorePosted by Yana Meerzon | 13th Feb 2017 | Canada, Theatre and Politics
On November 8, 2016, America elected its 45thPresident, Donald Trump, whose political forays,...
Read MorePosted by Göksu Kunak | 13th Feb 2017 | Interview, Lebanon, Theatre and Politics
In this interview, Rabih Mroué talks about micro-narratives, the ability of theatre to enact a...
Read MorePosted by Kata Karah | 13th Feb 2017 | Review, Romania, Theatre and Politics
In a way, communism has always been playing on the masses. There are endless things hidden within...
Read MorePosted by Kee-Yoon Nahm | 12th Feb 2017 | South Korea, Theatre and Politics
On January 8th, a group of artists and activists erected a large tent in Gwanghwamun Square and...
Read MorePosted by Adam Sherwin | 7th Feb 2017 | Theatre and Politics, United Kingdom
Emma Rice, the artistic director of Shakespeare’s Globe ousted for introducing modern sound and...
Read MorePosted by Aleks Sierz | 4th Feb 2017 | Essay, Theatre and Politics, United Kingdom
This year has got off to a very slow start, with exciting new British plays being exceedingly...
Read MorePosted by Kasia Lech | 26th Jan 2017 | News, Poland, Theatre and Politics
The year 2016 was marked by theatre artists resisting narratives imposed by the Polish government...
Read MorePosted by Zoukak Theatre Company | 25th Jan 2017 | Essay, Lebanon, Theatre and Politics
THE BATTLE SCENE SCORE The stage is a raft on water. On stage, there are remains of a shipwreck:...
Read MorePosted by Amal Khalaf | 23rd Jan 2017 | Interview, Lebanon, Participatory Theatre, Producing, Theatre and Gender, Theatre and Politics
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
Read MorePosted by Alice Jones | 22nd Jan 2017 | London, News, Theatre and Politics, United Kingdom
This week, In the Depths of Dead Love opened at The Print Room in London. The play, by Howard...
Read MorePosted by Denise Baden | 22nd Jan 2017 | Cuba, News, Theatre and Politics, United Kingdom
The response to the death of Cuban revolutionary leader Fidel Castro has been striking for its...
Read MorePosted by Kasia Lech | 21st Jan 2017 | News, Poland, Puppetry, Theatre and Politics
The final Polish premiere of 2016 was Triumf Woli [The Triumph of the Will] prepared by the...
Read MorePosted by Kee-Yoon Nahm | 18th Jan 2017 | Essay, South Korea, Theatre and Gender, Theatre and Politics
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
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