Robert Reid

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Headlong Theatre’s “1984”: Orwell’s Nightmare or a Smug Satire for The Inner Party?

Posted by Robert Reid | 14th Feb 2017 | Adaptation, Theatre and Politics, United Kingdom

Orwell’s novel 1984 is currently a bestseller in the U.S. We can soon expect many...

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Can Keene/Taylor’s New Play “Dreamers” Keep Us From Despair?

Posted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics

More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...

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A Festival of Imported Importance: BIAF 2026 and the Provincialism of Prestige 1st October 2026
Following The Herd 28th September 2026
Staatstheater Oldenburg’s “Art And Democracy” Season Scores With A Revival Of “Cabaret” 28th September 2026
Artistic Production Belongs To The Changing World Of Things 22nd September 2026
German Summer Festival Theatre (4): An Open-Air “Midsummer Night’s Dream” By The Bremer Shakespeare Company 22nd September 2026
Julia Masli, Please Let Me In Your Cult 18th September 2026
Michaela Coel’s “Chewing Gum Dreams” at Theatre 503: Revival Of 2012 Contemporary Classic Is Terrific 18th September 2026
Crime On The German Stage (1): Comedy 17th September 2026
“Kramer/Fauci” at the Philadelphia Fringe Festival 16th September 2026
Ntozake Shange’s “for colored girls who have considered suicide / when the rainbow is enuf” at The Yard Theatre: Legendary 1970s Choreopoem Finally Arrives In London 15th September 2026

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