These are Voices of Women Considered Modern for Their Times
Anubha Fatehpuria will act out a miscellany of women characters, spanning more than a century in...
Read MorePosted by Vikram Phukan | 11th Dec 2019 | India, News, Theatre and Art, Theatre and Gender
Anubha Fatehpuria will act out a miscellany of women characters, spanning more than a century in...
Read MorePosted by Maria Delgado | 27th Nov 2019 | Argentina, Review, Theatre and Gender
For many in the English-speaking world, the company Piel de Lava is known primarily for its work...
Read MorePosted by Maja Stefanovska | 21st Nov 2019 | Canada, Review, Theatre and Gender
David Mamet’s play Oleanna is about the power struggle between a university professor and one of...
Read MorePosted by Patrick Langston | 21st Nov 2019 | Canada, Review, Theatre and Gender
Oleanna, David Mamet’s then-startling play about sexual harassment and power dynamics, debuted in...
Read MorePosted by Aleks Sierz | 9th Nov 2019 | Review, Theatre and Gender, United Kingdom
Botticelli is a household name, but who knows the true story behind his most famous painting? The...
Read MorePosted by Alice Gorman | 5th Nov 2019 | Australia, Essay, Theatre and Gender
Leila Waddell (1880-1932) was a country girl from Bathurst, NSW, who entered the world stage as an...
Read MorePosted by Shiya Lu | 27th Oct 2019 | China, Devised Theatre, Interview, Theatre and Gender
Even in 2019, surrounded by futuristic skyscrapers, accompanied by mobile apps and English...
Read MorePosted by Rathsaran Sireekan | 27th Oct 2019 | Review, South Korea, Theatre and Gender
The Political Self of Beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Jonathan Kalb | 17th Oct 2019 | New York, Review, Theatre and Gender, United States of America
Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...
Read MorePosted by Natasha Lomonossoff | 16th Oct 2019 | Canada, Review, Theatre and Gender
Following the production of The Boy in the Moon, put on by the 1000 Islands Playhouse in August,...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Síofra Ní Shluaghadháin | 10th Oct 2019 | Festivals, Ireland, News, Playwriting, Theatre and Gender
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by Marié-Heleen Coetzee | 4th Oct 2019 | Review, South Africa, Theatre and Gender, Theatre and Politics
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
Read MorePosted by Abigail Weil | 28th Sep 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Samuel Ravengai | 22nd Sep 2019 | Playwriting, Review, Theatre and Gender, Zimbabwe
The late Stephen Chifunyise rarely wrote about politics. He was more fascinated with social issues...
Read MorePosted by Camilla Nelson | 22nd Sep 2019 | Australia, Review, Sydney, Theatre and Gender
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
Read MorePosted by Agata Łuksza | 18th Sep 2019 | Poland, Review, Theatre and Gender, Theatre and Politics
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
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