“Waiting for Gretchen: Faust” – Teater Republique
Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...
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Theatre and Gender
“It’s OK to be Naked”: An Interview with Tim Norwood
Tim Norwood describes himself as an emerging theatre-maker from Sheffield. He’s queer, disabled,...
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“Fela and the Kalakuta Queens” Goes Online
African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...
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Star Cycles: Composer/Performer Karl Saint Lucy and Their Production, “Different Stars: A Reckoning with Time, Trauma, and Circumstance”
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
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Japan’s Geisha Struggle to Preserve Tradition Under Shadow of Coronavirus
The ancient Japanese art of geisha is now facing a crossroads that requires the centuries-old...
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“Sisters” Act: The Hollow Feminism Of China’s Hottest New Show
For the most talked-about show of the summer, Mango TV’s Sisters Who Make Waves has an unusual...
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Review: “A Streetcar Named Desire” At The Young Vic
The National Theatre’s triumphant march through its archive of NT Live recordings continues this...
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Evidence and/or Performance?
It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress...
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“Breaking Glass” Review: Sydney Chamber Opera Livestreams Premiere
There are very few silver linings that have developed from the current catastrophic health crisis,...
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Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
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Flawless Live Stream of Award-winning New Zealand Solo Show Celebrates Transgender Tdentity
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
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With “Ghalia’s Miles” Zoukak Dissects the Middle East Layer by Layer
Ghalia’s Miles brilliantly brings the crude harsh reality of the Middle East to life. It pierces...
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The Fundamental Profanation
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
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Updating “Romeo and Juliet” in a Bid to Fight Prejudice in Japan
With William Shakespeare’s iconic use of English lost in translation, bold and reimagined versions...
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“Scenes with Girls” at The Royal Court
Tonight, I discovered the gasp index. Or maybe just re-discovered. The what? The gasp index. It’s...
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Bodies and Bodies and Bodies of Work: A Feminist Perspective on the Notion of ‘Oeuvre’
What does it mean to build an oeuvre as a woman? There are still obstacles on the road that are...
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Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
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Review: “Antigone” at the New Diorama Theatre
In her contemporary re-working of Sophocles’ tragedy, Lulu Raczka has chosen to...
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Alexandra Wood’s “The Tyler Sisters” at the Hampstead Theatre: The Future Is Female In Epic Family Saga
What has Saint Augustine of Hippo got to do with new writing? At first sight, not very much. That...
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“Magdalene” at Prototype Festival
What are the first words you think of when you hear the name Mary Magdalene? Prostitute? Saved?...
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