Theatre and Art Archives - Page 2 of 6

Art Scene: “Archive: This Was The End” Taps Extrasensory Senses

Posted by Alexander Fatouros | 27th Jul 2021 | New York, Review, Theatre and Art, Transmedia, United States of America

Speaking to humanity across time and space, Archive: This Was the End is an interactive sculpture...

Theatre in the Time of Protest: “Glass Menagerie” at the Théâtre de l’Odéon

Posted by Lara Cox | 18th Jun 2021 | France, Review, Theatre and Art, Theatre and Politics

History, as they say, has a habit of repeating itself. When French theatre-makers seized hold of...

XR | AR | VR: CultureHub on La MaMa’s Coffeehouse Aesthetic, Immersive Art, and Tech-Integrated Theatre

Posted by Alexander Fatouros | 20th May 2021 | Interview, New York, Theatre and Art, Transmedia, United States of America

Located in graffiti-laden downtown Manhattan where the East Village and NoHo meet at 47 Great...

“Yabuhara Kengyo” Shows Audiences that Justice isn’t Always Blind

Posted by Nobuko Tanaka | 11th Mar 2021 | Japan, Review, Theatre and Art

Colorful graffiti marks the facade of a shuttered shopping mall. People navigate their way around...

Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre

Posted by Daniel Johnston | 26th Feb 2021 | Australia, Review, Sydney, Theatre and Art

Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...

“Shook” by Samuel Bailey at Papatango

Posted by Aleks Sierz | 23rd Feb 2021 | Covid-19, Review, Theatre and Art, United Kingdom

Film is the new theatre — this we know, but does the distance imposed by the change of medium...

Works Process at The Guggenheim: Isolation to Creation Docuseries

Posted by Clare Cioffero | 16th Feb 2021 | New York, News, Theatre and Art, Theatre and Dance, United States of America

Midway through the first episode of Isolation to Creation, a docuseries produced as part of this...

2021 Flying Start For Human Rights Art Festival

Posted by Alexander Nderitu | 13th Jan 2021 | Festivals, New York, News, Theatre and Art, United States of America

First of the block is ‘Human Freedom 2021- A Theater for Human Rights Campaign’. This initiative is spearheaded by newly-appointed 2021 IHRAF International Fellow, Alessandro Lenzi. It is organized through a global collaboration between Raizes Teatro (Palermo), International Human Rights Art Festival (NYC), Avant – Garde Lawyers (Paris), and Global Campus of Human Rights (Venice). Alessandro Lenzi is the Director of Raizes Teatro. The Last Era, a play written by Alessandro Ienzi will be one of the features of the campaign.

Under the Influence of Dada: Readymade Cabaret 2.0 Breaks Out of Linear Time, Celebrates Chance

Posted by Alexander Fatouros | 4th Dec 2020 | Featured, New York, Participatory Theatre, Review, Theatre and Art, Theatre and Dance, United States of America

The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.

Cambodia is an Inspiration for the Healing Power of Art After a Crisis

Posted by François Audet, Alexandre P. Bédard, and Caroline Coulombe | 17th Nov 2020 | Cambodia, Essay, Theatre and Art

Even though history has seen different disasters and humanitarian crises, one fact remains: we try...

“A Midsummer Night’s Dream” Conjures Dark Fantasies

Posted by Nobuko Tanaka | 6th Nov 2020 | Japan, Review, Theatre and Art

A Midsummer Night’s Dream has the makings of a fairy tale: a forest full of meddling fairies,...

Hybrid Vigor: Frankenthaler and Ravel, Part of the “Hearing Color, Seeing Time” Series

Posted by Clare Cioffero | 31st Oct 2020 | Review, Theatre and Art, United States of America

To the right of the piano, hung on the far wall of the space, was the ravishing 103 x 172.5 inch acrylic on canvas. The Frankenthaler abstract painting dominated the space with a wash of undulating colors and shapes. Rothenberg opened with commentary about the connections between these two works of art explaining that while it’s challenging to talk about abstract works, as Baudelaire wrote, sometimes the combination of two difficult pieces can clarify and reveal the heart of the works.