“Die Reuk Van Appels” (“The Smell Of Apples”) at the Fugard Theatre in Cape Town
We are surrounded by violence and our country is beset by an ongoing cycle with little ebb and...
Read MorePosted by Tracey Saunders | 29th Oct 2017 | Adaptation, Review, South Africa, Theatre and Politics
We are surrounded by violence and our country is beset by an ongoing cycle with little ebb and...
Read MorePosted by Christine Deitner | 26th Oct 2017 | Adaptation, Los Angeles, Review, United States of America
Trapped in an atmosphere rife with the air of past punishment and with no concrete tasks to take up their time, Alice [Lizzy Kimball] and The Captain [Darrell Larson] play cards, say they will allow themselves one drink then pour three or more over the course of an evening, and argue with an off-stage cook about a dinner that never arrives. They wonder whether they should take on another lover and recall how the last threesome went. If this doesn’t sound like Strindberg to you, you’ve been missing out for not only is the play as sexually explicit as one could get in its time, it is also brutally funny and Ms. Kimball and Mr. Larson know exactly how to use both elements to their most effective ends as they engage in a slowly building battle for supremacy over the other.
Read MorePosted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
Read MorePosted by Vikram Phukan | 9th Oct 2017 | Adaptation, India
This year’s eclectic Aadyam spread can certainly not be faulted in terms of its curation. From a...
Read MorePosted by Aleks Sierz | 8th Oct 2017 | Adaptation, London, Review, United Kingdom
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
Read MorePosted by Tomasz Wiśniewski | 7th Oct 2017 | Adaptation, Dramaturgy, United Kingdom
Among numerous interests of dramaturgy, intense performativity of literature, on the one hand, and...
Read MorePosted by Jane Baldwin | 3rd Oct 2017 | Adaptation, Boston, United States of America
As its title seems to indicate, Warholcapote, a two-character play revolves around a relationship...
Read MorePosted by Aleks Sierz | 2nd Oct 2017 | Adaptation, London, Review, United Kingdom
The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...
Read MorePosted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
Read MorePosted by Sigríður Jónsdóttir | 29th Sep 2017 | Adaptation, Iceland, Theatre and Politics
“If one is to rule, and to continue ruling, one must be able to dislocate the sense of reality.”...
Read MorePosted by Alvina Ruprecht | 26th Sep 2017 | Adaptation, Theatre and Gender, United Kingdom
Yerma in London, as the subtitle states, is a contemporary adaptation of Federico García...
Read MorePosted by Aleks Sierz | 17th Sep 2017 | Adaptation, London, Review, United Kingdom
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
Read MorePosted by Kee-Yoon Nahm | 31st Aug 2017 | Adaptation, Participatory Theatre, South Korea, Theatre and Politics
It has only been one hundred days into President Moon Jae-In’s administration, but the new...
Read MorePosted by Borimir Totev | 27th Aug 2017 | Adaptation, Directing, Interview, United Kingdom
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
Read MorePosted by Lorena Meeser | 26th Aug 2017 | Adaptation, Mexico
Icaro Compañía Teatral in Mexico presents Julius Caesar the adaptation of the work of William...
Read MorePosted by Olena Mygashko | 2nd Aug 2017 | Adaptation, Ukraine
On the stage covered with flour appears officer Bonet (Dmytro Surzhykov). Heavy and uneven white...
Read MorePosted by Emma Cole | 25th Jul 2017 | Adaptation, London, News, Translation, United Kingdom
In 2013-14, an innovative, cross-disciplinary research project explored the interactions of...
Read MorePosted by Yana Meerzon | 23rd Jul 2017 | Adaptation, Festivals, Japan
Antigone by Sophocles, directed by Satoshi Miyagi; music by Hiroko Tanakawa; scenography by...
Read MorePosted by Nobuko Tanaka | 19th Jul 2017 | Adaptation, Festivals, Japan
The government’s Cool Japan initiative may be focused on spreading anime around the world, but...
Read MorePosted by Whit Emerson | 10th Jul 2017 | Adaptation, China, Hong Kong, Review, Theatre and Opera, Transcultural Collaborations
Princess Jia’s request for poetry upon her visit to the Red Chamber is met by the impetuous Bao...
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