“Memorial” Is A Shattering Excavation Of The Scars Of War Through Poetry, Dance, And Mind Blowing Score
Arthur Danto, in his Analytic Philosophy of History, calls the common noun “scar” a...
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Adaptation
Discussion On The Greatest Theatrical Scandal Of 2017: “Klątwa” At The Powszechny Theatre In Warsaw
Kasia Lech (KL): How could we introduce Klątwa [The Curse] and its context to someone for whom the...
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Contemporary “Electra” by DumbWise at The Bunker Theatre
Electra is the protagonist in two Ancient Greek tragedies, one by Sophocles and the other by...
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I Wanted To Remove The Language Of Gender: Hindi Adaptation of Lorca’s “Yerma”
Mahesh Dattani explores the symbolism, futurism and surreal influences of Spanish dramatist...
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“Y Tad” – Theatr Genedlaethol Cymru (A Welsh Translation of Florian Zeller’s “The Father”)
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
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Chris Goode’s “Jubilee” – The State of The (Punk) Nation
The idea here is both exquisitely complex and wonderfully simple. On the one hand, Chris Goode’s...
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Molière’s “The School For Wives” At The City Garage Theatre, Santa Monica
Los Angeles can be a tricky theatre city to pin down. Though we do have a theatre district it is...
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Rude Mechs’ Experiment With Dostoevsky’s “Brothers Karamazov”
Rude Mechs, an Austin-based ensemble in their twenty-first year of collective creation, recently...
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“I Feel As If I’m Loosing My Leaves:” Translatability Of Theme Through Language In Theatr Genedlaethol Cymru’s Production Of Florian Zeller’s “Y Tad”
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
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Reinterpreting The Tradition: A Contemporary Retelling Of Tang Xianzu’s “The Handan Dream” By The Guangzhou Dramatic Arts Centre
Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...
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Satoshi Miyagi Returns To The Japan Society With “Mugen Noh Othello”
New York City’s Japan Society closed out its 2017-18 Noh-Now series this past January with...
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See Naples And Die! Marco D’Amore’s “American Buffalo”
American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...
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“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
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Tom Rachman’s “Basket Of Deplorables”
Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...
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“The Virgin Suicides” Dying In The Age Of Suicide
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
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Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark
Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...
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“A Special Day” by Ettore Scola-Pure Theatrical Plot
A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...
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Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
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The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”
Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...
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