Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
Read MorePosted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
Read MorePosted by Diwan Singh Bajeli | 18th Dec 2017 | Adaptation, India, Review
Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...
Read MorePosted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
Read MorePosted by Vivienne Glance | 4th Dec 2017 | Adaptation, Australia, Review
The popularity of vampires has endured since Johann Wolfgang von Goethe’s Bride of Corinth (1797)...
Read MorePosted by Julia Secklehner | 3rd Dec 2017 | Adaptation, Belarus, Review
Svetlana Alexievich’s Voices From Chernobyl collected the testimonies of survivors from the...
Read MorePosted by Claudia Pritchard | 26th Nov 2017 | Adaptation, Essay, London, Theatre and Opera, United Kingdom
An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...
Read MorePosted by Aleks Sierz | 20th Nov 2017 | Adaptation, London, Review, United Kingdom
The Second World War is central to our national imagination, yet it has been oddly absent from our...
Read MorePosted by Jane Baldwin | 19th Nov 2017 | Adaptation, France, Review, Theatre and Politics
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
Read MorePosted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
Read MorePosted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom
“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...
Read MorePosted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics
The audience members were vocal in their approval from start to finish with Es’kia...
Read MorePosted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Some site-specific theatre feels like a really good fit. You could say, in this case, that it...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Diwan Singh Bajeli | 31st Oct 2017 | Adaptation, India, Review
Chandradasan’s adaptation of Shakuntalam, staged at the National School of Drama, had a...
Read MorePosted by S. Ravi | 30th Oct 2017 | Adaptation, India, Review, Theatre and Politics
Based on a short story of Khwaja Ahmad Abbas, Lokesh Jain’s Kala Sooraj Safed Sayee brings the...
Read MorePosted by Donald Brown | 29th Oct 2017 | Adaptation, Review, Theatre and Age, United States of America
The kitchen of an aging spinster in a small town in Texas may be an unlikely place to find...
Read MorePosted by Tracey Saunders | 29th Oct 2017 | Adaptation, Review, South Africa, Theatre and Politics
We are surrounded by violence and our country is beset by an ongoing cycle with little ebb and...
Read MorePosted by Christine Deitner | 26th Oct 2017 | Adaptation, Los Angeles, Review, United States of America
Trapped in an atmosphere rife with the air of past punishment and with no concrete tasks to take up their time, Alice [Lizzy Kimball] and The Captain [Darrell Larson] play cards, say they will allow themselves one drink then pour three or more over the course of an evening, and argue with an off-stage cook about a dinner that never arrives. They wonder whether they should take on another lover and recall how the last threesome went. If this doesn’t sound like Strindberg to you, you’ve been missing out for not only is the play as sexually explicit as one could get in its time, it is also brutally funny and Ms. Kimball and Mr. Larson know exactly how to use both elements to their most effective ends as they engage in a slowly building battle for supremacy over the other.
Read MorePosted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
Read MorePosted by Vikram Phukan | 9th Oct 2017 | Adaptation, India
This year’s eclectic Aadyam spread can certainly not be faulted in terms of its curation. From a...
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