Adaptation Archives - Page 17 of 23

“The Virgin Suicides” Dying In The Age Of Suicide

Posted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review

A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Posted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera

Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...

“A Special Day” by Ettore Scola-Pure Theatrical Plot

Posted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics

A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Posted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations

South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

Posted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review

Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...

The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”

Posted by Diwan Singh Bajeli | 18th Dec 2017 | Adaptation, India, Review

Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...

A Mexican Rendition Of Schmitt’s “Enigma Variations”

Posted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review

After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...

Blood on the Stage: “Let the Right One In” is a Vampire Love Story For Our Times

Posted by Vivienne Glance | 4th Dec 2017 | Adaptation, Australia, Review

The popularity of vampires has endured since Johann Wolfgang von Goethe’s Bride of Corinth (1797)...

“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster

Posted by Julia Secklehner | 3rd Dec 2017 | Adaptation, Belarus, Review

Svetlana Alexievich’s Voices From Chernobyl collected the testimonies of survivors from the...

How Hitchcock’s “Marnie” Inspired An Opera

Posted by Claudia Pritchard | 26th Nov 2017 | Adaptation, Essay, London, Theatre and Opera, United Kingdom

An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...

“The Slaves Of Solitude” at The Hampstead Theatre

Posted by Aleks Sierz | 20th Nov 2017 | Adaptation, London, Review, United Kingdom

The Second World War is central to our national imagination, yet it has been oddly absent from our...

“The State Of Siege” (L’état De Siège): A Political Warning

Posted by Jane Baldwin | 19th Nov 2017 | Adaptation, France, Review, Theatre and Politics

Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...

“Tiny Beautiful Things” at The Public Theatre

Posted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America

Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...

“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’

Posted by Holly Williams | 10th Nov 2017 | Adaptation, London, Review, United Kingdom

“Whenever I tell anybody I’m doing an adaptation of The Exorcist, the first question is: ‘Will the...

A Suitcase Packed With Stories: James Ngcobo’s New Play

Posted by Diane de Beer | 10th Nov 2017 | Adaptation, Review, South Africa, Theatre and Politics

The audience members were vocal in their approval from start to finish with Es’kia...

“Witness For The Prosecution” at London County Hall

Posted by Aleks Sierz | 9th Nov 2017 | Adaptation, Immersive Theatre, London, Review, Theatre and Politics, United Kingdom

Some site-specific theatre feels like a really good fit. You could say, in this case, that it...

David Greenspan Dazzles In One-Man “Strange Interlude”

Posted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America

After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...

A New Adaptation of Kalidasa’s “Shakuntala” – A Soul Stirring Experience

Posted by Diwan Singh Bajeli | 31st Oct 2017 | Adaptation, India, Review

Chandradasan’s adaptation of Shakuntalam, staged at the National School of Drama, had a...

Adaptation of Patrice Lumumba’s Life Plays on Indian Stage

Posted by S. Ravi | 30th Oct 2017 | Adaptation, India, Review, Theatre and Politics

Based on a short story of Khwaja Ahmad Abbas, Lokesh Jain’s Kala Sooraj Safed Sayee brings the...

Come On A My House: “Fireflies” at The Long Wharf Theatre

Posted by Donald Brown | 29th Oct 2017 | Adaptation, Review, Theatre and Age, United States of America

The kitchen of an aging spinster in a small town in Texas may be an unlikely place to find...

Adaptation

“The Virgin Suicides” Dying In The Age Of Suicide

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

“A Special Day” by Ettore Scola-Pure Theatrical Plot

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place

The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”

A Mexican Rendition Of Schmitt’s “Enigma Variations”

Blood on the Stage: “Let the Right One In” is a Vampire Love Story For Our Times

“Voices From Chernobyl”–Ténéré Arte’s Brilliant, Ghostly Retelling Of The World’s Worst Nuclear Disaster

How Hitchcock’s “Marnie” Inspired An Opera

“The Slaves Of Solitude” at The Hampstead Theatre

“The State Of Siege” (L’état De Siège): A Political Warning

“Tiny Beautiful Things” at The Public Theatre

“The Exorcist” On Stage: ‘I Don’t Think Our Vomit Is Going To Be Green’

A Suitcase Packed With Stories: James Ngcobo’s New Play

“Witness For The Prosecution” at London County Hall

David Greenspan Dazzles In One-Man “Strange Interlude”

A New Adaptation of Kalidasa’s “Shakuntala” – A Soul Stirring Experience

Adaptation of Patrice Lumumba’s Life Plays on Indian Stage

Come On A My House: “Fireflies” at The Long Wharf Theatre

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