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When Languages Fall Apart: InlanDimensions International Arts Festival

Posted by Urszula Pysyk | 10th Apr 2022 | Festivals, Hong Kong, Japan, Poland, Review, Transcultural Collaborations

Looking at the titles in the InlanDimensions theater lineup, I was hard put to find a common...

The Dismantling of Mourning

Posted by Paweł Schreiber | 9th Apr 2022 | Adaptation, Poland, Review, Theatre and Politics

Klaudia Hartung-Wójciak’s Ach, jeżeli przyjdę dać, tak okrutne, moje ostatnie pożegnanie (Ah, if I...

Ambiguity and Amorality: Is Douglas Stewart’s “Ned Kelly” One of Australia’s Great Forgotten Plays?

Posted by Julian Meyrick | 8th Apr 2022 | Australia, Directing, Essay, Theatre and Politics

In 1943, Dolia Ribush, a Russian-speaking Latvian theatre director of medium height and...

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

Posted by Elizabeth Steinway | 7th Apr 2022 | Education, Essay, Theatre and Gender

Curious Kids is a series for children of all ages. If you have a question you’d like an expert to...

An Argentinian Summer Theater Festival in Wintertime Madrid

Posted by Antonio Hernández Nieto | 6th Apr 2022 | Argentina, Festivals, News, Spain, Transcultural Collaborations

February is summer in Argentina, and most Argentinian theaters and companies are on holiday....

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

Posted by William Peterson | 5th Apr 2022 | Australia, LGBTQ+ Theatre, Musical Theatre, Review

Review: Watershed: The Death of Dr. Duncan, directed by Neil Armfield for the Adelaide Festival....

“Blood Brothers” Tells a Tangled Tale of Nature Versus Nurture

Posted by Nobuko Tanaka | 4th Apr 2022 | Japan, Musical Theatre, Review

It’s an age-old question: Which is more important in determining the course of our lives, nature...

Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

Posted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review

In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...

“The Human Voice” at Harold Pinter Theatre

Posted by Aleks Sierz | 2nd Apr 2022 | Adaptation, Directing, London, Review, United Kingdom

Is there really such a thing as an unmissable show? Depends on your taste of course, but for sheer...

“Shedding a Skin” at Soho Theatre

Posted by Aleks Sierz | 1st Apr 2022 | Playwriting, Review, Theatre and Gender, United Kingdom

Love is the most difficult four-letter word. And platonic love is perhaps the hardest kind of...

“Cock” at The Ambassadors Theatre

Posted by Aleks Sierz | 30th Mar 2022 | London, Review, Theatre and Gender, United Kingdom

Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has...

Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion

Posted by Kasia Lech | 29th Mar 2022 | Essay, Poland, Puppetry, Theatre and Politics, Ukraine

The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...

World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English

Posted by Dramatyczny Kolektyw | 28th Mar 2022 | News, Poland, Theatre and Politics, Transcultural Collaborations

Dramatyczny Kolektyw: Agata Adamiecka, Małgorzata Błasińska, Jagoda Dutkiewicz, Monika Dziekan,...

Peter Sellars Delivers International World Theatre Day Message 2022

Posted by The Theatre Times | 27th Mar 2022 | News, Worldwide

Peter Sellars Delivers International World Theatre Day Message 2022 Mildred Ruiz Sapp and Steven...

To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?

Posted by Zolima Citymag | 26th Mar 2022 | China, Covid-19, Festivals, Hong Kong, Ireland, Theatre and AI

This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...

Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift

Posted by William Peterson | 26th Mar 2022 | Australia, Review, Theatre and Age, Transmedia

Review: Sex and Death_ and the Internet, directed by Samara Hersch My last experience as an...

Under the Water – The Journey between Taipei and Copenhagen

Posted by Siraya PAI | 25th Mar 2022 | Denmark, Interview, Taiwan, Transcultural Collaborations, Transmedia

“We began with looking for the differences between us, but at some point we came to realize that...

“Dream Hou$e”—The Costs of Home

Posted by Donald Brown | 24th Mar 2022 | Playwriting, Review, Theatre and Politics, United States of America

Review of Eliana Pipes’ Dream Hou$e, Long Wharf Theatre The question of heritage gets...

“Red Pitch”, Bush Theatre

Posted by Aleks Sierz | 23rd Mar 2022 | Directing, London, Review, Theatre and Politics, United Kingdom

Football stories are never just about a game — they are also about life and how to live it. In...

“The Hunchback of Notre Dame” Brings 15th-Century Paris to Istanbul

Posted by Irem Yasar | 22nd Mar 2022 | Musical Theatre, Review, Turkey

Adapted from Hugo’s popular novel, the musical presents sections from the post-revolutionary dark...

Latest

When Languages Fall Apart: InlanDimensions International Arts Festival

The Dismantling of Mourning

Ambiguity and Amorality: Is Douglas Stewart’s “Ned Kelly” One of Australia’s Great Forgotten Plays?

Why Weren’t Women Allowed to Act in Shakespeare’s Plays?

An Argentinian Summer Theater Festival in Wintertime Madrid

An “Extraordinary Collaboration” — “Watershed: The Death of Dr. Duncan” is a Sensational and Important Work

“Blood Brothers” Tells a Tangled Tale of Nature Versus Nurture

Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

“The Human Voice” at Harold Pinter Theatre

“Shedding a Skin” at Soho Theatre

“Cock” at The Ambassadors Theatre

Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion

World Theatre Day Message of Polish Centre of the International Theatre Institute on 27 March 2022 in Polish, Ukrainian, and English

Peter Sellars Delivers International World Theatre Day Message 2022

To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?

Beautiful and Deeply Impactful, a Kind of Deep Communion: “Sex and Death_and the Internet” is a Gift

Under the Water – The Journey between Taipei and Copenhagen

“Dream Hou$e”—The Costs of Home

“Red Pitch”, Bush Theatre

“The Hunchback of Notre Dame” Brings 15th-Century Paris to Istanbul

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