“Macbeth” Brings Double, Double, Toil and Trouble From DR Congo
Third World Bunfight‘s Macbeth has been touring around the world since its premiere in Cape Town...
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Russia’s Mariinsky and Maly Drama Theaters to Perform in Washington
Russia’s two theater companies from St. Petersburg are beginning a series of performances in...
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Shakespeare’s Globe Emma Rice Bows Out With Defiant Political Season
Emma Rice, the artistic director of Shakespeare’s Globe ousted for introducing modern sound and...
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Joyous, Comic and Grim: The Best New Indigenous Playwrights
“Yellamundie” is a Darug word for storyteller, and the name of a biennial play development...
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Timeless Truths Of Cultural Appropriation And Cohabitation In “Public Works” And “The Landeaters”
When I reviewed the development season of The Ragged – the first play in what has evolved into THE...
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A New Version Of “Macbeth” For Today: Minimal, But Relatable
“When I was studying English literature at the University of Tokyo, even though I had no theater...
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Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
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OzAsia Festival Brings A Global Perspective To Australia With Theatre And Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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A Mixture Of New Elements Brings A Classic Indian Play To Life
With its debut production of Jaisi Karni Waisi Bharni presented at the 21st Urdu Drama Festival in...
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Last Spring, Dementia Made It to Broadway! Part 2
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
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London: Three Controversies About National Identity
This year has got off to a very slow start, with exciting new British plays being exceedingly...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Remembering Sarah Kane
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
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New Leadership Brings Innovation to the Teatro 25 de Mayo
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
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Anna Smolar Awarded the Passport Prize in Theatre
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
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“Bat Out of Hell”—The Musical Opens in Manchester. Interview With Director Jay Scheib
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
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“Peter Pan Goes Wrong” But Gets Comedy Right
The antithesis of some of the slick, accomplished television premieres of the festive season was...
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Life Is a Kitchen: A Review of the Iranian Adaptation of Arnold Wesker’s “The Kitchen”
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
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Who Was Mary? And How Plausible is Colm Tóibín’s Reconstruction of Her?
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
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