“Macbeth” Brings Double, Double, Toil and Trouble From DR Congo
Third World Bunfight‘s Macbeth has been touring around the world since its premiere in Cape Town...
Read MorePosted by Sarah Thomasson | 8th Feb 2017 | South Africa, Theatre and Opera
Third World Bunfight‘s Macbeth has been touring around the world since its premiere in Cape Town...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 8th Feb 2017 | News, Russia
Russia’s two theater companies from St. Petersburg are beginning a series of performances in...
Read MorePosted by Adam Sherwin | 7th Feb 2017 | Theatre and Politics, United Kingdom
Emma Rice, the artistic director of Shakespeare’s Globe ousted for introducing modern sound and...
Read MorePosted by Maryrose Casey | 7th Feb 2017 | Australia
“Yellamundie” is a Darug word for storyteller, and the name of a biennial play development...
Read MorePosted by John Smythe | 7th Feb 2017 | New Zealand
When I reviewed the development season of The Ragged – the first play in what has evolved into THE...
Read MorePosted by Nobuko Tanaka | 6th Feb 2017 | Japan
“When I was studying English literature at the University of Tokyo, even though I had no theater...
Read MorePosted by Andreea Scridon | 6th Feb 2017 | London, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations, Translation, United Kingdom, United States of America
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
Read MorePosted by Julian Meyrick | 5th Feb 2017 | Asia, Australia, Festivals, Producing, Theatre and Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
Read MorePosted by Ágnes Bakk | 5th Feb 2017 | Interview, London, Participatory Theatre, Transmedia, United Kingdom
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
Read MorePosted by Diwan Singh Bajeli | 4th Feb 2017 | Adaptation, India
With its debut production of Jaisi Karni Waisi Bharni presented at the 21st Urdu Drama Festival in...
Read MorePosted by Elinor Fuchs | 4th Feb 2017 | New York, Review, Theatre and Age, United States of America
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
Read MorePosted by Aleks Sierz | 4th Feb 2017 | Essay, Theatre and Politics, United Kingdom
This year has got off to a very slow start, with exciting new British plays being exceedingly...
Read MorePosted by Leah Lord | 3rd Feb 2017 | Interview, London, Russia, Theatre and Dance, United Kingdom
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
Read MorePosted by Aleks Sierz | 3rd Feb 2017 | Essay, Playwriting, Theatre and Gender, United Kingdom
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
Read MorePosted by Susan Berardini | 3rd Feb 2017 | Argentina, News, Producing
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
Read MorePosted by Lauren Dubowski | 2nd Feb 2017 | Directing, News, Poland, Theatre and Gender
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
Read MorePosted by Marcina Zaccaria | 2nd Feb 2017 | Directing, Interview, Musical Theatre, United Kingdom
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
Read MorePosted by Jeff Robson | 1st Feb 2017 | Adaptation, Review, United Kingdom
The antithesis of some of the slick, accomplished television premieres of the festive season was...
Read MorePosted by Baharak Sahami | 1st Feb 2017 | Iran, Review
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
Read MorePosted by Joel Hodge | 31st Jan 2017 | Australia, Essay, Ireland, Sydney
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
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