Theatre Review: Chekhov’s “Three Sisters” At The Union Theatre
Simplified Production Deserves The Benefit Of The Doubt. Tracy Letts’ adaptation of Chekhov’s 1900...
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OzAsia Festival Brings A Global Perspective To Australia With Theatre And Dance
Sometimes the weather simply won’t cooperate. Between a state-wide blackout, monsoonal rain, and...
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Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
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A Mixture Of New Elements Brings A Classic Indian Play To Life
With its debut production of Jaisi Karni Waisi Bharni presented at the 21st Urdu Drama Festival in...
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Last Spring, Dementia Made It to Broadway! Part 2
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
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London: Three Controversies About National Identity
This year has got off to a very slow start, with exciting new British plays being exceedingly...
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Interview: Evgeny Goremykin Of London Russian Ballet School
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
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Remembering Sarah Kane
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
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New Leadership Brings Innovation to the Teatro 25 de Mayo
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
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Anna Smolar Awarded the Passport Prize in Theatre
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
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“Bat Out of Hell”—The Musical Opens in Manchester. Interview With Director Jay Scheib
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
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“Peter Pan Goes Wrong” But Gets Comedy Right
The antithesis of some of the slick, accomplished television premieres of the festive season was...
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Life Is a Kitchen: A Review of the Iranian Adaptation of Arnold Wesker’s “The Kitchen”
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
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Who Was Mary? And How Plausible is Colm Tóibín’s Reconstruction of Her?
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
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Remembering Veenapani Theatre Festival Financed By Crowd-Funding
A crowd-funding campaign that has quietly been doing the rounds of theatre circles is now...
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Contemporary Dance in Belarus in the Early 21st Century: “Waiting for Godot”
During the last decade, two interconnected processes of legalization and professionalization have...
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Dispelling The Myths Of Circus
“Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous form of...
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From “The Hypocrite” to “Hamilton”: Six Must-See Theatre Shows to Book in London
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
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More Than 31,000 People Enjoy the Magic of the First International Festival of Live Arts Loja
On November 17–27, 2016, Loja, considered the cultural capital of Ecuador because of its long...
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Moscow Theater Performance of “Anna Karenina” to Play at a Cinema Near You
The Vakhtangov Theatre’s interpretation of Leo Tolstoy’s famous novel, Anna Karenina, is...
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