“Still Point Turning” is a Vital Affirmation of Trans People Through the Story of Catherine McGregor
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by Noah Riseman | 13th May 2018 | Australia, LGBTQ+ Theatre, Review, Theatre and Gender
“The unifying trans experience is rejection and repudiation.” So says Cate McGregor’s character in...
Read MorePosted by Jane Baldwin | 13th May 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
Read MorePosted by Yulia Shamporova | 12th May 2018 | News, Russia, Russian Theatre Abroad
There is enormous variety when it comes to Russian theatre shows. Russia Beyond has compiled a...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom
In the 2000s one of the many glories of new writing for British stages was the linguistically...
Read MorePosted by Aleks Sierz | 12th May 2018 | London, Review, United Kingdom
Playwright Anthony Neilson has always been fascinated by sex. I mean, who isn’t? But he has made...
Read MorePosted by Kristin Tomecek | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read MorePosted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
Read MorePosted by Jessica Rizzo | 11th May 2018 | Philadelphia, Review, United States of America
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
Read MorePosted by Kee-Yoon Nahm | 11th May 2018 | Adaptation, Review, South Korea
In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...
Read MorePosted by Katrina Holden-Buckley | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
Read MorePosted by The Theatre Times | 10th May 2018 | Musical Theatre, New York, Review, United States of America
As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...
Read MorePosted by Akanksha Raja | 10th May 2018 | Review, Singapore
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
Read MorePosted by Diwan Singh Bajeli | 9th May 2018 | Essay, India, Pakistan, Theatre and Politics
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
Read MorePosted by Iris Winston | 9th May 2018 | Canada, Review
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
Read MorePosted by Vikram Phukan | 9th May 2018 | Festivals, India, Review
More than a dozen years after it first opened in Mumbai, as part of a Heisnam Kanhailal...
Read MorePosted by Elena Bobrova | 9th May 2018 | Interview, Russia, Theatre and Dance
Mark Olich has been snapping the repetitions and backstage life of the famous theater for many...
Read MorePosted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
Read MorePosted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
Read MorePosted by Iris Winston | 8th May 2018 | Canada, Review, Theatre and Age
Jones And Barry In The Home by Norm Foster; a 3P Productions, Directed by Derek Ritschel As we...
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