From Child Stars To Lost Theatres: Capturing Australia’s Ephemeral History Of Live Performance
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
Read MorePosted by Gillian Arrighi | 2nd Aug 2018 | Australia, Essay
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
Read MorePosted by Anna Sorokina - Russia Beyond Headlines | 2nd Aug 2018 | Acting, News, Russia, Theatre and Disability
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
Read MorePosted by Edmond Couchot | 1st Aug 2018 | Essay, Participatory Theatre, Theatre and AI, Transmedia
Artists in the performing and theatrical arts currently have access to technology of an...
Read MorePosted by Katalin Gabnai | 1st Aug 2018 | Hungary, Review
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
Read MorePosted by Zolima Citymag | 31st Jul 2018 | Festivals, Hong Kong, News, Theatre and Opera
Why We Recommend it This annual festival stages enduring Chinese opera performances across various...
Read MorePosted by Vikram Phukan | 31st Jul 2018 | India, News, Playwriting
One of the great subcontinental migrations, and one that has arguably been slowly erased from...
Read MorePosted by Nomsa Nsibande, Joburg Theatre | 30th Jul 2018 | Festivals, News, South Africa
UJ Arts & Culture (a division of FADA) is proud to present the Johannesburg run of Reza de...
Read MorePosted by Holly Williams | 30th Jul 2018 | London, Review, United Kingdom
Here’s a chorus line with a difference: the geriatric ward of an under-threat Yorkshire hospital,...
Read MorePosted by culture.pl | 29th Jul 2018 | News, Poland, Transmedia
Polish theatre artists have recently been experimenting with Virtual Reality (VR). What is it, and...
Read MorePosted by Tamás Jászay | 29th Jul 2018 | Hungary, Review
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
Read MorePosted by Jack Wernick | 28th Jul 2018 | Belgium, Review, Theatre and Politics, United States of America
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
Read MorePosted by Oberon Books | 28th Jul 2018 | Interview, LGBTQ+ Theatre, London, Playwriting, United Kingdom
The Oberon Book Of Queer Monologues, just released, is an astonishing new collection which...
Read MorePosted by Andrew Westle and Jordan Beth Vincent | 27th Jul 2018 | Australia, Essay, Theatre and Dance, Theatre and Gender
The dance sector in Australia has a gender equality problem. While nearly 70% of people working in...
Read MorePosted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
Read MorePosted by Sarah Kornfeld | 26th Jul 2018 | Review, Romania, Translation
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
Read MorePosted by Aleks Sierz | 26th Jul 2018 | London, Review, Theatre and Politics, United Kingdom
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
Read MorePosted by Aleks Sierz | 25th Jul 2018 | London, Review, Theatre and Age, Theatre and Politics, United Kingdom
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
Read MorePosted by Corrie Scott | 25th Jul 2018 | Canada, Essay, Theatre and Politics
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
Read MorePosted by Nobuko Tanaka | 25th Jul 2018 | Essay, Japan
Based in mountainous Oita Prefecture in northeastern Kyushu, the privately owned and run Drum Tao...
Read MorePosted by Vikram Phukan | 24th Jul 2018 | Festivals, India, Poland, Review, Theatre and Politics
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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