Four Directors Give Four Reasons To Be Graeae
To mark the launch of Graeae’s new book, Reasons to Be Graeae, which charts the history of the...
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“Me And My Girl,” Review: Matt Lucas’ Stand-In Provokes Frenzied Standing Ovation
When the first person to appear on stage is director Daniel Evans with a microphone in hand and...
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Hungarian Contemporary Circus Company Returns To The Biggest Arts Festival Of The World
After last year’s success, the popular Hungarian contemporary circus company Recirquel is...
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“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
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“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
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Contemporary Performing Arts in Portugal: Other Sources of Financial Support
Aside from public funding, the main funder of contemporary performing arts in Portugal is the...
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Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
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Recent Trends In The Portuguese Performing Arts Scene
A recent publication on Portuguese theatre summons up politics, experimentalism, and utopia as...
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South African Women’s Arts Festival – 22 Years On
The Playhouse Company, an Agency of the Department of Arts and Culture, presents its annual South...
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Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
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Sally Cookson’s “A Monster Calls” At The Old Vic
There are few subjects as emotionally fraught as the relationship between childhood and death. How...
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Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
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Stefano Massini’s “The Lehman Trilogy” At The National Theatre
Images are what make abstract crises concrete. And who can forget the image of the bankrupt Lehman...
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National Festival Of Egyptian Theatre Honors Playwright Mahmoud Diab, Features Sudanese Theatre, And Children’s Plays
The 11th edition of the National Festival of Egyptian Theatre will take place between July 19 and...
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“Alkaline” at The Park Theatre
Britain is rightly proud of its record on multiculturalism, but whenever cross-cultural couples...
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Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
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“Red” – An Artist’s Mindmap
When looking forward to seeing a work of art, a certain play or a performance what is our feeling...
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For Better Or For Worse: The Pros And Cons Of Theatre Relationships
Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...
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“Dreams In An Empty City”: A Strikingly Prescient Morality Tale About Banking
In our Great Australian Plays series, we nominate the best of Australian drama. There is no single...
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Contemporary Performing Arts In Portugal: Local Government Funding
Following European trends and funding, there’s been a move towards state and local governments...
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