“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
Read MorePosted by Trevor Jones | 15th Oct 2018 | Australia, Festivals, Review, Theatre and Dance
According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...
Read MorePosted by Aleks Sierz | 15th Oct 2018 | LGBTQ+ Theatre, London, Playwriting, Review, Scotland, United Kingdom
English-born and Scottish-based playwright Jo Clifford has been an astonishingly energetic and...
Read MorePosted by Gowri S | 14th Oct 2018 | Essay, India, Theatre for Young Audiences
With their latest workshop, John Pradeep and his group reiterate that clowning is a serious art...
Read MorePosted by Marilena Borriello | 14th Oct 2018 | Design, Essay, Switzerland
Scenography is generally considered an element of secondary importance in theatre since its main...
Read MorePosted by Armando Rotondi | 14th Oct 2018 | Adaptation, Essay, Review, Theatre and Dance, United Kingdom
Choreographer Jasmin Vardimon’s new show, Medusa, is a multiple and composite piece of art that is...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Musical Theatre, Review, United Kingdom
If music be the food of fun, play on! In fact, give me excess of it, surfeit even. If this is how...
Read MorePosted by Emiliia Dementsova | 13th Oct 2018 | Acting, News, Russia
The Yury Lyubimov award presentation ceremony took place in Moscow on October 2. While the guests...
Read MorePosted by Aleks Sierz | 13th Oct 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Whatever you might think about Brexit, the dreaded B word, the current climate certainly seems to...
Read MorePosted by Alex Trustrum Thomas | 12th Oct 2018 | Essay, Festivals, Russia, Russian Theatre - Featured
The Liubimovka, for those not in the know, is the annual festival of young dramaturgy held in...
Read MorePosted by Lisa Harper Campbell | 11th Oct 2018 | Australia, Review
Performance group House of Sand, in collaboration with the State Theatre Company of South...
Read MorePosted by Yue Zhu | 11th Oct 2018 | China, Essay, Theatre and Dance
Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...
Read MorePosted by Jane Baldwin | 10th Oct 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
Read MorePosted by Deepa Ganesh | 10th Oct 2018 | India, Interview, Playwriting
Girish Karnad’s new play Rakshasa Tangadi puts the spotlight on Vijayanagar empire. More than his...
Read MorePosted by Iris Winston | 10th Oct 2018 | Canada, Review
Fierce directed by George Walker. Black Sheep Theatre and Criminal Girlfriends Two women damaged...
Read MorePosted by Nora Amin | 10th Oct 2018 | Festivals, Palestine, Review, Theatre and Politics, Transcultural Collaborations
Bahrain’s Al-Sawari International Theatre Festival took place September 1-9 in Manama, concluding...
Read MorePosted by Jane Baldwin | 9th Oct 2018 | Boston, Review, United States of America
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
Read MorePosted by Sreevalsan Thiyyadi | 9th Oct 2018 | Acting, Essay, India
Tracing its profile over the last 25 years unveils interesting changes in India’s only ancient...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Iris Winston | 9th Oct 2018 | Canada, Musical Theatre, Review
From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...
Read MorePosted by Vikram Phukan | 8th Oct 2018 | India, News, Playwriting
Now well into its fourth decade, the rip-roaring Malwani comedy, Vastraharan rolls on. The...
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