Review Archives - Page 67 of 143

BoomStick Theater’s “Toxic Avenger: The Musical” on Melrose

Posted by Christine Deitner | 13th Oct 2019 | Los Angeles, Review, United States of America

Founded in 2018, BoomStick Theater has focused its mission statement on providing a platform for...

The Enduring Tale Of “Imam-E-Hind”

Posted by Anuj Kumar | 12th Oct 2019 | India, Playwriting, Review

Ahead of the première of Dastaan-e-Ram, writer Danish Iqbal discusses the joys and challenges of...

Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at the Royal Court

Posted by Aleks Sierz | 12th Oct 2019 | London, Review, Theatre and Politics, United Kingdom

At the age of 81, Caryl Churchill, Britain’s greatest living playwright, is still going strong....

Czech Centre London Presents: “Velvet Havel”

Posted by Julia Secklehner | 11th Oct 2019 | Czech Republic, London, Musical Theatre, Review

To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...

Michael Frayn’s “Noises Off” at the Garrick Theatre

Posted by Mert Dilek | 10th Oct 2019 | London, Review, United Kingdom

One of my formative memories in the theatre dates back to twelve years ago, when I attended a...

Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic

Posted by Maria Delgado | 10th Oct 2019 | Review, Spain, Translation, United Kingdom

Federico García Lorca’s rural trilogy, written in the period between 1932 and 1936 as social...

A Series of Sensory Experiences

Posted by Vikram Phukan | 10th Oct 2019 | India, Review

Theatremaker Sujay Saple and sound artist Mitsuaki Matsumoto’s collaboration is all about...

“The New Canadian Curling Club”: Delightful Immigration Comedy With Deeper Aspirations

Posted by Natasha Lomonossoff | 10th Oct 2019 | Canada, Review, Theatre and Politics

In the context of these politically divisive times, the message of Mark Crawford’s recent play,...

Coming-of-age in 2019: “Spring Awakening” at TUTS

Posted by Trevor Boffone | 9th Oct 2019 | Musical Theatre, Review, United States of America

Teenagers dealing with sex, suicide, abusive parents, and queer love might not seem like typical...

“The Unnatural and Accidental Women” in Ottawa

Posted by Patrick Langston | 8th Oct 2019 | Canada, Review, Transcultural Collaborations

No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...

“Burn Her”: Big Themes of Political Intrigue

Posted by John Smythe | 7th Oct 2019 | Review

Distills the Big Themes of Political Intrigue with Insight, Flair, Withering Wit, and a Welcome...

“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company

Posted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America

True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...

“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”

Posted by David O'Donnell | 7th Oct 2019 | Adaptation, New Zealand, Review, Theatre for Young Audiences, Transcultural Collaborations

Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...

Kosmas Politis, “Eroica” by Yolanda Markopoulou

Posted by Yalena Kleidara | 6th Oct 2019 | Adaptation, Greece, Review

“Heroism is to this decision that you make by yourself, to stick to it until the very...

Koleka Putuma’s “No Easter Sunday for Queers”

Posted by Tonderai Chiyindiko | 6th Oct 2019 | LGBTQ+ Theatre, Review, South Africa

No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...

Bill Irwin’s “On Beckett” at the Kirk Douglas Theatre

Posted by Christine Deitner | 5th Oct 2019 | Los Angeles, Review, United States of America

If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...

Edgar Oliver and “Victor”

Posted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America

I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...

Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity

Posted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom

Once there were radically innovative playwrights; then came university courses about radically...

This Fairy-Tale Adaptation is a Multi-Sensory Experience.

Posted by M. Dinesh Varma | 4th Oct 2019 | India, Review, Sweden, Theatre for Young Audiences, Transmedia

Swiss theatre company Trickster-p’s production .h.g. is based on the classic Hansel and Gretel, by...

“Venus vs Modernity”: Rethinking Sara Baartman

Posted by Marié-Heleen Coetzee | 4th Oct 2019 | Review, South Africa, Theatre and Gender, Theatre and Politics

“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.

Review

BoomStick Theater’s “Toxic Avenger: The Musical” on Melrose

The Enduring Tale Of “Imam-E-Hind”

Caryl Churchill’s “Glass. Kill. Bluebeard. Imp.” at the Royal Court

Czech Centre London Presents: “Velvet Havel”

Michael Frayn’s “Noises Off” at the Garrick Theatre

Tribalism, Tragedy and Torment: Yaël Farber’s “Blood Wedding” at the Young Vic

A Series of Sensory Experiences

“The New Canadian Curling Club”: Delightful Immigration Comedy With Deeper Aspirations

Coming-of-age in 2019: “Spring Awakening” at TUTS

“The Unnatural and Accidental Women” in Ottawa

“Burn Her”: Big Themes of Political Intrigue

“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company

“Re-Storying the Southside”: A Polynesian “Midsummer Night’s Dream”

Kosmas Politis, “Eroica” by Yolanda Markopoulou

Koleka Putuma’s “No Easter Sunday for Queers”

Bill Irwin’s “On Beckett” at the Kirk Douglas Theatre

Edgar Oliver and “Victor”

Ruby Thomas’s “Either” at the Hampstead Theatre: Intriguing Questioning of Gender Identity

This Fairy-Tale Adaptation is a Multi-Sensory Experience.

“Venus vs Modernity”: Rethinking Sara Baartman

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