“Shikaar” Review: A Commune of Chudails
Patchworks Ensemble’s new play, Shikaar explores the insidious culture of instigation...
Read MorePosted by Vikram Phukan | 29th Aug 2019 | India, Review, Theatre and Gender
Patchworks Ensemble’s new play, Shikaar explores the insidious culture of instigation...
Read MorePosted by Vikram Phukan | 28th Aug 2019 | Acting, India, Review
Sanhita Manch’s third edition will stage four original plays that celebrate homegrown talent in...
Read MorePosted by Alvina Ruprecht | 27th Aug 2019 | Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 26th Aug 2019 | Canada, Review, Theatre and Dance
Time has passed and even if Alegría does not capture the in depth artistry brought about by...
Read MorePosted by Natasha Lomonossoff | 26th Aug 2019 | Canada, Review, Theatre and Disability
A play based on the memoir of Globe and Mail journalist Ian Brown’s experience of bringing up his...
Read MorePosted by Baharak Sahami | 25th Aug 2019 | Iran, Review, Theatre and Politics
A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...
Read MorePosted by Ketaki Datta | 25th Aug 2019 | India, Review, Theatre and Gender
Recently, Tata Steel Kolkata Literary Meet presented us with exquisite production, Gauhar, by the...
Read MorePosted by Aleks Sierz | 24th Aug 2019 | Review, United Kingdom, United States of America
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
Read MorePosted by Kaggwa Andrew Mayiga | 23rd Aug 2019 | Producing, Review, Rwanda
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
Read MorePosted by Sarah Balking | 23rd Aug 2019 | Australia, Devised Theatre, Review, Theatre and Gender
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
Read MorePosted by Aleks Sierz | 22nd Aug 2019 | London, Review, United Kingdom
Theatre legends die hard. Playwright Philip King, who passed away in 1979, was once hailed as the...
Read MorePosted by Donald Brown | 22nd Aug 2019 | Festivals, New York, Review, United States of America
A son and his mother, a mother and her son. What are some of the first thoughts that come to mind?...
Read MorePosted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America
“They [the Macbeths] have many attributes that we all share in contemporary society, including...
Read MorePosted by Vikram Phukan | 20th Aug 2019 | India, Review, Theatre and Age, Theatre and Politics
Bengaluru-based, Theatre for Change uses “choreopoems” devised from music, text, and...
Read MorePosted by Vikram Phukan | 19th Aug 2019 | India, Review, Theatre and Gender
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
Read MorePosted by Aleks Sierz | 18th Aug 2019 | London, Review, United Kingdom
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by James Montaño | 16th Aug 2019 | Review, Theatre and Politics, United States of America
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
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