“Love And Information”: An Excellent Young Director Extracts Order From Churchill’s Contemporary Chaos
A talented young director brings order to Caryl Churchill’s purposely chaotic vision of the nature...
Read MorePosted by Alvina Ruprecht | 8th Apr 2019 | Canada, Review
A talented young director brings order to Caryl Churchill’s purposely chaotic vision of the nature...
Read MorePosted by Christine Skinner | 8th Apr 2019 | Review, South Africa
Powerful co-production of the Athol Fugard classic, Statements After An Arrest Under The...
Read MorePosted by Maria Delgado | 7th Apr 2019 | Review, Spain, Theatre and Gender
At El Pavón Teatro Kamikaze, Jordi Casanovas has crafted a double bill of verbatim plays dealing...
Read MorePosted by Aleks Sierz | 7th Apr 2019 | London, Review, United Kingdom
There are plenty of plays in which a character finds their own voice. But what about stories which...
Read MorePosted by Trevor Boffone | 7th Apr 2019 | Review, United States of America
On March 29, 2019, pictures surfaced of undocumented Latin American immigrants in El Paso, Texas....
Read MoreMarathi play, Knock Knock Celebrity is an unrelenting psychological portrait of its disparate...
Read MorePosted by Aleks Sierz | 6th Apr 2019 | London, Review, United Kingdom
Wow, what a collection of talent: this show stars Peaky Blinder Cillian Murphy, and Enda Walsh’s...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 6th Apr 2019 | Review, Russia
With Third Wave Feminism’s meteoric rise, we’re not even sure we can call a woman...
Read MorePosted by Christine Deitner | 5th Apr 2019 | LGBTQ+ Theatre, Los Angeles, Review, Theatre and Gender, United States of America
The Center Theatre Group’s second Block Party show at the Kirk Douglas Theatre in Century City is...
Read MorePosted by Abigail Weil | 5th Apr 2019 | New York, Review, Theatre for Young Audiences, United States of America
How do I love Mrs. Murray’s Menagerie? Let me count the ways. Extraordinary attention to detail,...
Read MorePosted by Jonathan Kalb | 4th Apr 2019 | New York, Review, United States of America
In the winter of 1977, at age 17, I played Petruchio/Fred Graham in a Kiss Me, Kate production at...
Read MorePosted by Armando Rotondi | 4th Apr 2019 | Review, Spain, Theatre and Film
Los Papeles by Anthony Kmeid, presented at the Cotxeres Borrell in Barcelona on March 23, 2019, is...
Read MorePosted by Maria Jovita Zárate | 3rd Apr 2019 | LGBTQ+ Theatre, Musical Theatre, Philippines, Review, Theatre and Politics
“CHAROT” is gay slang, one of the many fluid terms generated by popular lingo, often used as an...
Read MorePosted by Aleks Sierz | 3rd Apr 2019 | London, Review, United Kingdom
Pain. A world of pain. Pain. For anyone suffering from a rare condition called Complex Regional...
Read MorePosted by Wendy Arons | 2nd Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The intimate and mesmerizing Brave Space is a circus performance unlike any other you may have...
Read MorePosted by Michael Appler | 1st Apr 2019 | New York, Review, Theatre and Politics, United States of America
In Heidi Schreck’s hands rests a divine power which only the best of storytellers wield to purge...
Read MorePosted by Alvina Ruprecht | 1st Apr 2019 | Canada, Review
The title of the play (Love And Human Remains) by Brad Fraser, written in 1989 and currently...
Read MorePosted by William Peterson | 1st Apr 2019 | Festivals, Review, South Africa
In a world where so many are escaping brutality, war, persecution, and loss of land, is it...
Read MorePosted by Wendy Arons | 1st Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
A large–one might venture to say, deliberately oversized–dark blue door dominates the elegantly...
Read MorePosted by Wendy Arons | 1st Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The detailed open-plan kitchen that greets you as you take your seat at City Theatre’s production...
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