Review Archives - Page 61 of 138

“Found” at The Cell: Immersive Theatrical Experience

Posted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America

Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...

Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity

Posted by Aleks Sierz | 22nd Oct 2019 | London, Review, United Kingdom

One of the delights of London fringe theatre is its ability to nurture new talent. In this respect...

How to Stage an Opera? Summer Munich Opera Festival as a Role Model

Posted by Antonio Hernández | 22nd Oct 2019 | Germany, Review, Theatre and Opera

Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...

“1984” at The Actors’ Gang

Posted by Christine Deitner | 22nd Oct 2019 | Los Angeles, Review, United States of America

“He who controls the present controls the past, and he who controls the past controls the...

Taking Classic Musical “West Side Story” to New Heights.

Posted by Nobuko Tanaka | 21st Oct 2019 | Japan, Musical Theatre, Review

Back in 1961, Robert Wise and Jerome Robbins’ Hollywood film West Side Story became something of a...

Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact

Posted by Aisling Murphy | 20th Oct 2019 | Austria, Review, Theatre and Art

Mental Eclipse Theater’s production of Sarah Kane’s Blasted is, admittedly, a mixed experience,...

“Games” at Soho Playhouse

Posted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America

Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...

“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera

Posted by Zolima Citymag | 19th Oct 2019 | China, Hong Kong, Review, Theatre and Opera, Theatre and Politics

Three years before the Xiqu Centre opened as Hong Kong’s first purpose-built center for Chinese...

“A Day in the Death of Joe Egg” at Trafalgar Studios

Posted by Aleks Sierz | 18th Oct 2019 | Review, Theatre and Disability, United Kingdom

Playwright Peter Nichols died aged 92 last month, just before the opening of this starry West End...

Family Secrets Get Messy in “All My Fathers”

Posted by John Brunner | 17th Oct 2019 | New York, Review, Theatre and Age, United States of America

Is the truth always best or should some secrets go to the grave? For playwright Paul David Young,...

David Greig’s “Solaris” at the Lyric Hammersmith Theatre

Posted by Mert Dilek | 17th Oct 2019 | Adaptation, London, Review, United Kingdom

Far away from Earth, there is a planet called Solaris. It is covered by an ocean and orbits two...

Solving the “Lulu” Problem

Posted by Jonathan Kalb | 17th Oct 2019 | New York, Review, Theatre and Gender, United States of America

Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...

“Asking For It” at 1000 Islands Theatre

Posted by Natasha Lomonossoff | 16th Oct 2019 | Canada, Review, Theatre and Gender

Following the production of The Boy in the Moon, put on by the 1000 Islands Playhouse in August,...

Stratford 2019: “Birds of a Kind”- A Remarkable Dialogue Between the Author and the Director

Posted by Barbara Gabriel | 16th Oct 2019 | Canada, Review, Transcultural Collaborations

“Is it really important to cling to our lost identities? What is a life lived between two...

“Cambodian Rock Band” at City Theatre, Pittsburgh PA

Posted by Wendy Arons | 16th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Lauren Yee’s new play Cambodian Rock Band is one of the most-produced plays in the 2019-20...

“The Pianist Of Willesden Lane”: A Triumphant Musical Journey With A Strong Contemporary Message

Posted by Alvina Ruprecht | 16th Oct 2019 | Canada, Review

The Shoah has a well defined meaning in contemporary history but clearly, choosing to produce such...

“The Unnatural And Accidental Women”: The Voices Of The Disappeared Still Speak To Us In This Immersive Event

Posted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender

Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...

“Project Amelia” at Bricolage Production Company in Pittsburgh, PA, USA

Posted by Wendy Arons | 15th Oct 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Do you know where your data is? I sure don’t. But I’ve been thinking about my data – and the...

“Anna Karenina”—Silk, Pearls and Satin Sadness

Posted by Emilija Kvočka | 15th Oct 2019 | Adaptation, Design, Review, Serbia

The Russian winter sprinkled with the aristocratic splendor of Imperial Moscow and Petersburg in...

H.G., A Well-Executed Theatre Installation

Posted by Gowri S | 14th Oct 2019 | Immersive Theatre, India, Review

I am inside a dark room, saved by a lone light and a single stool. On one side is a curtain, but...

Review

“Found” at The Cell: Immersive Theatrical Experience

Danusia Samal’s “Out of Sorts” at the Theatre 503: Deeply Emotional Account of Personal Identity

How to Stage an Opera? Summer Munich Opera Festival as a Role Model

“1984” at The Actors’ Gang

Taking Classic Musical “West Side Story” to New Heights.

Vienna: Mental Eclipse Theater’s “Blasted” (Sarah Kane). Separating Admirable Impulse From Mixed Impact

“Games” at Soho Playhouse

“Farewell My Concubine” Is Rekindling Hong Kong’s Interest in Cantonese Opera

“A Day in the Death of Joe Egg” at Trafalgar Studios

Family Secrets Get Messy in “All My Fathers”

David Greig’s “Solaris” at the Lyric Hammersmith Theatre

Solving the “Lulu” Problem

“Asking For It” at 1000 Islands Theatre

Stratford 2019: “Birds of a Kind”- A Remarkable Dialogue Between the Author and the Director

“Cambodian Rock Band” at City Theatre, Pittsburgh PA

“The Pianist Of Willesden Lane”: A Triumphant Musical Journey With A Strong Contemporary Message

“The Unnatural And Accidental Women”: The Voices Of The Disappeared Still Speak To Us In This Immersive Event

“Project Amelia” at Bricolage Production Company in Pittsburgh, PA, USA

“Anna Karenina”—Silk, Pearls and Satin Sadness

H.G., A Well-Executed Theatre Installation

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