Radio-Drama Vibe of Resounding’s “Treasure Island: LIVE” Captivates
Based on Orson Welles’ 1938 radio play and adapted by Creative Director Steve Wargo,...
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Review
“A Christmas Carol”at The Bridge Theatre
A Christmas Carol is a seasonal standard. In a normal year, there are a couple of versions to be...
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Embrace The Chaos: “Readymade Cabaret 2.0”
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
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“The Red Femicycle”: Gender Based Violence in Sharp Focus
The Red Femicycle brings into sharp focus Gender-Based Violence in a gut-wrenching and...
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“Death of England: Delroy”, National Theatre
Okay, COVID-19 really sucks. This play opened and closed on the same night, 4 November, as the...
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“Knife” Critiques Human Nature Through Mime And Dance
Sometimes a gesture of gratitude comes in the form of a carte blanche. Akira Shirai, the departing...
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“What a Carve Up!”, Barn Theatre
Classical murder mysteries end with a neat solution — and with the arrest of the perpetrator....
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“Cyprus Avenue”: A Shocking Exploration of Trauma and Identity
Eric is convinced: His newborn granddaughter is Gerry Adams, the Irish Republican politician. Eric...
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Under the Influence of Dada: Readymade Cabaret 2.0 Breaks Out of Linear Time, Celebrates Chance
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
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A.Y.L.A.N at the Oda Theater
The audience sits on the stage looking out at a sea of empty seats. From this perspective, they...
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“Break” by Monia Sander Haj-Mohamed
Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? Hvor kommer du fra? I have probably...
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A Big Small Story
Subdued browns, grays and black dominate the stage. The impression of a vast empty space is...
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About “A Coin In Someone Else’s Pocket”
Today, I watched the first episode in the Tools for Change trilogy, digital reimaginings of three...
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Philip Ridley’s “The Poltergeist” at the Southwark Playhouse: High-Powered Tour de Force
Playwright Philip Ridley has had a very productive lockdown. Despite the constraints of the...
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“Keely and Du” at The Seeing Place
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
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Adapting Tarots in Performance: LipZinc’s “Talking Tarots”
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
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Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
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Of Wizards and Trolls: “Russian Troll Farm: A Workplace Comedy”
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
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“Wonnangatta” Review: Australian Theatre-Writing at its Provocative and Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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“Señor Ruiseño (Monsieur Rossignol)”: Ce Commentaire Féroce Sur la Politique Catalane Actuelle Ouvre Une Nouvelle Voie de la Critique au Canada!
La compagnie catalane Els Joglars, crée en 1962 par Albert Boadella, Carlota Soldevila, propose...
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