Review Archives - Page 136 of 143

Krzysztof Warlikowski and Song of the Goat in BAM in New York

Posted by Lauren Dubowski | 17th Sep 2016 | Directing, News, Poland, Polish Theatre Abroad, Review

The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...

“A Pacifist’s Guide to the War on Cancer” Heading to the National Theatre

Posted by Brian Lobel | 17th Sep 2016 | Musical Theatre, Review, United Kingdom

In 2001, at the age of 20, I was diagnosed with stage 3 metastatic testicular cancer. As a cancer...

Olivier Kemeid’s “The Aeneid” at Stratford Festival

Posted by Yana Meerzon | 16th Sep 2016 | Canada, Festivals, Review

In today’s political, economic and social climate, with mass migration turning into a new norm, it...

“A Mexican Trilogy: An American Story” at The Los Angeles Theatre Center

Posted by Margarita Vargas | 15th Sep 2016 | Los Angeles, Review, United States of America

A Mexican Trilogy: American Story is showing at The Los Angeles Theatre Center from September 8...

“Perfume” Spotlights Challenges of Hearing-Impaired in Egypt

Posted by Nesma Youssef Idris | 15th Sep 2016 | Egypt, Review, Theatre and Disability

Perfume is probably the first play ever to be staged on the topic of the problems of people who...

Genius Refound – “The Other Mozart”

Posted by Marcina Zaccaria | 15th Sep 2016 | New York, Review, Theatre and Opera, United States of America

A prodigy, a scholar, and an artist determined to break out of a mold, Maria Anna Mozart found her...

“Mamá te voy a demandar” (Mother, I’m Going to Sue You) at Teatro Milan

Posted by Margarita Vargas | 14th Sep 2016 | Mexico, Review

Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...

“Loretta,” A Play About Indianness and Identity

Posted by Deepa Alexander - TheHindu.com | 14th Sep 2016 | India, Review

Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...

Simon Starling and Graham Eatough: “At Twilight: A Play for Two Actors, Three Musicians, One Dancer, Eight Masks (and a Donkey Costume)”

Posted by Carl Lavery | 13th Sep 2016 | Review, Scotland, United Kingdom

Set in the leafy grounds of Holmwood House in Glasgow’s Southside, Simon Starling and Graham...

Ahmed El-Attar’s “The Last Supper” Returns to Cairo’s Falaki Theatre

Posted by Ahram Online | 12th Sep 2016 | Egypt, Review, Theatre and Politics

The Last Supper, a play by Ahmed El-Attar, which magnifies the absurdity of modern upper-class...

Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi

Posted by Swati Daftuar - The Hindu.com | 10th Sep 2016 | India, Musical Theatre, Producing, Review

With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....

Brecht’s “Mother Courage” at Cairo’s Miami Theatre

Posted by Ahram Online | 9th Sep 2016 | Egypt, Review, Theatre and Politics

The play El-Om El-Shogaa (Mother Courage) opened in Miami Theatre in Cairo on 4 September. The...

South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin

Posted by Barbara Behrendt | 9th Sep 2016 | Festivals, Germany, Review

In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...

Review: “Burning Doors”(Belarus Free Theatre) – “Incinerating The Line Between Performance And Real Life”

Posted by Kata Karah | 8th Sep 2016 | Belarus, Review

Incinerating the line between performance and real life, Belarus Free Theatre’s Burning Doors...

“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre

Posted by José Eduardo Silva | 5th Sep 2016 | Portugal, Review

On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...

Absurdist, Poignant Slapstick in “En Avant, Marche!”

Posted by Vanessa Tomlinson | 5th Sep 2016 | Australia, Review

David Berthold’s 2016 Brisbane Festival aims to connect artists and audiences in ways that disrupt...

Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage

Posted by Ketaki Datta | 31st Aug 2016 | Adaptation, India, Review

Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...

Bangalore Little Theatre’s Latest Play is an Adaptation of a French Classic

Posted by Divya Shekhar | 26th Aug 2016 | Adaptation, Review, Transcultural Collaborations

In the early 1900s in Paris, a farcical play by Georges Feydeau called A Flea In Her Ear went on...

“En las montañas azules” (In the Blue Mountains) at Foro Shakespeare

Posted by Margarita Vargas | 25th Aug 2016 | Mexico, Review

En las montañas azules (In the Blue Mountains) Showing at the Foro Shakespeare in Mexico from June...

“The Merchant of Venice” at Tapan Theatre in Kolkata

Posted by Ketaki Datta | 24th Aug 2016 | India, Review

The Merchant of Venice is a play by Shakespeare, one with which even a school-going child is...

Review

Krzysztof Warlikowski and Song of the Goat in BAM in New York

“A Pacifist’s Guide to the War on Cancer” Heading to the National Theatre

Olivier Kemeid’s “The Aeneid” at Stratford Festival

“A Mexican Trilogy: An American Story” at The Los Angeles Theatre Center

“Perfume” Spotlights Challenges of Hearing-Impaired in Egypt

Genius Refound – “The Other Mozart”

“Mamá te voy a demandar” (Mother, I’m Going to Sue You) at Teatro Milan

“Loretta,” A Play About Indianness and Identity

Simon Starling and Graham Eatough: “At Twilight: A Play for Two Actors, Three Musicians, One Dancer, Eight Masks (and a Donkey Costume)”

Ahmed El-Attar’s “The Last Supper” Returns to Cairo’s Falaki Theatre

Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi

Brecht’s “Mother Courage” at Cairo’s Miami Theatre

South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin

Review: “Burning Doors”(Belarus Free Theatre) – “Incinerating The Line Between Performance And Real Life”

“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre

Absurdist, Poignant Slapstick in “En Avant, Marche!”

Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage

Bangalore Little Theatre’s Latest Play is an Adaptation of a French Classic

“En las montañas azules” (In the Blue Mountains) at Foro Shakespeare

“The Merchant of Venice” at Tapan Theatre in Kolkata

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