Rwanda’s “Radio Play” Brings Focus on Censorship to Egypt Theatre Festival
Brought by Amizero Kompagnie from Rwanda, Radio Play will be staged within the ongoing 23rd Cairo...
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Review
Theatre Review: “The Wawel Dragon”: Unleash Your Inner Child…
The theatre company Gods and Monsters and directors Nastazja Domaradzka and Phil Willmott have...
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“The Merchant of Venice” Opera That’s Been 55 Years in the Making
For a composer in search of characters and a good plot, Shakespeare might appear a rich source,...
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Krzysztof Warlikowski and Song of the Goat in BAM in New York
The Brooklyn Academy of Music’s theatre season features two works by renowned Polish theatre...
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“A Pacifist’s Guide to the War on Cancer” Heading to the National Theatre
In 2001, at the age of 20, I was diagnosed with stage 3 metastatic testicular cancer. As a cancer...
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Olivier Kemeid’s “The Aeneid” at Stratford Festival
In today’s political, economic and social climate, with mass migration turning into a new norm, it...
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“A Mexican Trilogy: An American Story” at The Los Angeles Theatre Center
A Mexican Trilogy: American Story is showing at The Los Angeles Theatre Center from September 8...
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“Perfume” Spotlights Challenges of Hearing-Impaired in Egypt
Perfume is probably the first play ever to be staged on the topic of the problems of people who...
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Genius Refound – “The Other Mozart”
A prodigy, a scholar, and an artist determined to break out of a mold, Maria Anna Mozart found her...
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“Mamá te voy a demandar” (Mother, I’m Going to Sue You) at Teatro Milan
Mamá te voy a demandar (Mother, I’m Going to Sue You) Will be showing at Teatro Milan in Foro...
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“Loretta,” A Play About Indianness and Identity
Theatre director, documentary film-maker and screenwriter Sunil Shanbag found his stage voice...
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Simon Starling and Graham Eatough: “At Twilight: A Play for Two Actors, Three Musicians, One Dancer, Eight Masks (and a Donkey Costume)”
Set in the leafy grounds of Holmwood House in Glasgow’s Southside, Simon Starling and Graham...
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Ahmed El-Attar’s “The Last Supper” Returns to Cairo’s Falaki Theatre
The Last Supper, a play by Ahmed El-Attar, which magnifies the absurdity of modern upper-class...
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Commercial Theatre in India: “Mr. and Mrs. Murarilal” Comes to Delhi
With every story he tells and every play he does, producer-director Saif Hyder Hasan takes a risk....
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Brecht’s “Mother Courage” at Cairo’s Miami Theatre
The play El-Om El-Shogaa (Mother Courage) opened in Miami Theatre in Cairo on 4 September. The...
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South African Artist William Kentridge at The International Performance Festival Foreign Affairs in Berlin
In July and August 2016, the international performance festival Foreign Affairs in Berlin, which...
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Review: “Burning Doors”(Belarus Free Theatre) – “Incinerating The Line Between Performance And Real Life”
Incinerating the line between performance and real life, Belarus Free Theatre’s Burning Doors...
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“(Dis)Individuation: (Dis)Concert for Bernard Stiegler” at The Carlos Alberto Theatre
On March 10, 2016, in the Carlos Alberto Theatre (Experimental Theatre of the National Theatre of...
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Absurdist, Poignant Slapstick in “En Avant, Marche!”
David Berthold’s 2016 Brisbane Festival aims to connect artists and audiences in ways that disrupt...
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Natak Phatak: A Bold Attempt in Adapting “One Flew Over the Cuckoo’s Nest” to the Bengal Stage
Kolkata Rangeela began its journey as a new theatre group in March 2014. But even before that,...
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