Jan Fabre/Troubleyn – “Mount Olympus”
On Mount Olympus (Jan Fabre/Troubleyn): To glorify the cult of tragedy ‘Breathe, just breathe....
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Review
“Nat Turner in Jerusalem” at New York Theatre Workshop
Richard Gilman, an old teacher of mine and a terrific critic, used to say that whenever he read...
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On a Quest in a Virtual World: “Avataar” by Nireeksha Women’s Theatre
Avataar, staged by Nireeksha Women’s Theatre, delves into a virtual world of shifting identities,...
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On Black Holes ’n’ Human Nature: Nilanjan P. Choudhury’s “The Square Root of A Sonnet”
Who discovered black holes? It was an Indian-American, Noble prize winning astrophysicist. His...
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“Concord Floral” at Canadian Stage
Concord Floral opened the 2016-2017 Canadian Stage season, yes, the same season whose programming...
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“Ya Sem”: An Egyptian Feminist Performance Closes The 23rd Cairo International Festival for Contemporary and Experimental Theatre
The 23rd Cairo International Festival for Contemporary and Experimental Theatre opened Tuesday,...
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“Kafkamachine” by the Collectives Mollecular Organization (Finland), Presque Ruines (France) and Ueinzzz Theatre (Brazil)
The great Theatre of Oklahoma is calling you! It is calling you today only! If you miss this...
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“Gonzo”: On Teenage Boys and Porn
Young men’s use of pornography has been the focus of considerable debate, if not anxiety and moral...
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Munby’s “Crucible” Speaks To Societies Built On Fear
“When the opportunity came to work at Theatre Cocoon in Tokyo, I was so excited about the great...
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A Political Horseplay
“A Play with Four Actors and Some Pigs and Some Cows and Some Horses and a Prime Minister and a...
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Nassim, A Breeze From Iran that Stirred Global Theatre Scene
Playwright Nassim Soleimanpour grabbed the attention of international theatre community by his...
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Picasso’s Muse Jacqueline Resurrected in “Last Night in Madrid” by Moldovan Troupe
Eugene Ionesco Theatre of Moldova participated in the 23rd Cairo International Festival for...
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Iraqi Play “Pillars of Blood” Reveals Memories of The War-Torn Country
A physical theatre play titled Pillars of Blood (Piliere Krvi) will be performed by Iraqi...
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Chinese “Thunderstorm” Brings a Haunting Past to Egypt’s Contemporary Theatre Festival
On Tuesday, 20 September, the theatre play Thunderstorm, directed by Chen Dalian and performed by...
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“Black & Blue” by Kevin Demoan Edwards: A Theater Review
Black & Blue, the first full-length play by writer/producer Kevin Demoan Edwards, takes on the...
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Taylor Mac, Patriot: “A 24-Decade History of Popular Music”
Taylor Mac calls his extraordinary theatrical marathon, five years in the making, A 24-Decade...
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“Vandichodai” – The Concluding Play of The Hindu Theatre Fest
Vandichodai by Koothuppattarai is all about deep philosophy and questioning societal norms. The...
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Rwanda’s “Radio Play” Brings Focus on Censorship to Egypt Theatre Festival
Brought by Amizero Kompagnie from Rwanda, Radio Play will be staged within the ongoing 23rd Cairo...
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Theatre Review: “The Wawel Dragon”: Unleash Your Inner Child…
The theatre company Gods and Monsters and directors Nastazja Domaradzka and Phil Willmott have...
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“The Merchant of Venice” Opera That’s Been 55 Years in the Making
For a composer in search of characters and a good plot, Shakespeare might appear a rich source,...
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