Documenting Ukraine: Theatre–George Genoux And Natalia Vorozhbit At GRAD, Reviewed By Jo Varney
A four-day festival Documenting Ukraine was held last weekend in London bringing together...
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Review
David Baddiel’s “My Family: Not the Sitcom”
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
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Papercut Theatre: “I’m Not Jesus Christ”(Manolescu, 2007) At Theatre N16
“How many children dream of being Jesus!?” This question echoes throughout Maria...
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Theatre Review: Odéon–Théâtre De L’Europe’s “Phaedra(s)” With Isabel Huppert At The Barbican
Polish theatre director Krzysztof Warlikowski’s Phaedra(s) is in London from the Odeon Theatre de...
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“All I Ever Wanted”: New Play Exposes Ills Plaguing Kenya
The playwright explores issues that plague Kenya today and he does that with a compassionate eye...
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Review: “Disgraced” Turns West-Meets-Islam Divisions Into Striking Melodrama
Ayad Akhtar’s Disgraced has arrived in Sydney from America on the back of international...
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Pledging for Parity with Yerima’s “Little Drops” in the Month of Woman
March 8th is celebrated world over as the UN International Women’s Day, and over the years, the...
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Roma Journey: Alina Șerban’s “I Declare At My Own Risk” At The Romanian Cultural Institute
Thursday, March 24, 2016, was International Day for the Elimination of Racial Discrimination. To...
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The Tragedy of Hamlet With an Egyptian Twist in Al-Hanager Theatre
In his famous tragedy Hamlet, which portrayed revenge, death, greed, and betrayal, William...
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Saviana Stanescu: “Aliens With Extraordinary Skills,” By Tales Told In Romanian
The first 100% Romanian play in London–created by Romanians for the Romanian community–had its...
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Galician Family Stories: Matthew Zajac’s “The Tailor Of Inverness,” A Dogstar Production
The Tailor Of Inverness, a Dogstar production which premiered at Chats Palace in Hackney last...
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The Secret River, Silences, And Our Nation’s History
Neil Armfield’s new stage adaptation of Kate Grenville’s 2005 novel The Secret River invites us to...
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“Eastern European For Dummies” By There There Theatre Company
The provocative title Eastern European For Dummies, an “interactive immigration piece”...
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“The Burning Gadulka” By Rayko Baychev
The gadulka’s role in a Bulgarian folk orchestra might be compared the viola’s in a Western...
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Plots, Counterplots, And Magyar Machinations: “The Cause” At Jermyn St. Theatre
The assassination of Archduke Franz Ferdinand by a group of naïve Bosnian students triggered World...
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“Loud Whispers” Stage Play: New Hope for Nigerian Theatre
Theatre in Nigeria was reborn on Workers` day – Sunday, May 1st when Comedy maestro Ali Baba,...
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“Banquet of Secrets”: Australian Musical Theatre Comes of Age
Original Australian musical theatre seems to be a relatively well-kept secret. The existing...
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Cultural Differences Over Suicide Made For An Interesting Creative Process In “Eternal Chikamatsu”
In 2014, rising playwright and director Kenichi Tani translated Harold Pinter’s Old Times for an...
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Zainichi Dramas Delve Into Japan’s Shadows
“At last, the masterpiece Yakiniku Dragon (Korean Barbecue Dragon) is going to be staged again!”...
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“Crazy Camel” Helps Butoh Over The Hump
“Many people have a preconception about butoh — that it is performed by dancers whose bodies...
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