“The Strange Death Of John Doe” at The Hampstead Theatre
Regular air travel is a hassle. All that queuing, all that security, all those hot halls, and then...
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Review
Stratford’s “To Kill A Mockingbird” Unveils An Intriguing Atticus Finch
STRATFORD, Ont.—It didn’t seem such a great idea 11 years ago when the Stratford Festival first...
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The Second Breakfast Company’s “The Moon is Less Bright”: A New Phase
The Second Breakfast Company restaging Goh Poh Seng’s The Moon is Less Bright is akin to grabbing...
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“Fatherland” at The Lyric Hammersmith: Masculinity in Crisis
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
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When The Personal And Political Collide
In his play, Contempt, queer activist and lawyer Danish Sheikh draws parallels (or contrasts)...
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Boston Lyric Opera’s “Trouble In Tahiti”
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
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Acclimatization: Feminist Iranian Theatre Acclimatizes To Diaspora
Acclimatization refers to the process by which an individual organism adjusts to a change in its...
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Welcome To The Murder House
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
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“Lessons In Love And Violence” at The Royal Opera House
Playwright Martin Crimp began his career by writing surreal short plays that hinted at his love of...
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“Miss Shakespeare”: A Bouquet Of Fine Performances
There’s a memorable moment in the Three Sisters Theatre Company’s production of Miss Shakespeare...
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“Jagged Little Pill” Finds A New Life
Jagged Little Pill, Alanis Morissette’s internationally famous alt-rock album released in 1995 has...
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“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
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“Leave Taking” at The Bush Theatre
Winsome Pinnock has for decades been a central figure in the promotion of BAME drama not just as a...
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Review: “Innocence Lost: A Play About Steven Truscott” At Soulpepper Theatre Company
The Story: On a very warm evening June 9, 1959, in Clinton, Ontario, fourteen-year-old Steven...
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The Revolt Of Craftsmen
Director Ravi Taneja’s Konark, underlined that art cannot exist in isolation. A multi-faceted...
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“Empire Of The Son”’s Fragmented Narrative Tells Story Of Intergenerational Divide And Male Vulnerability
Edmonton, Alberta. Connor Meeker reviews Tetsuro Shigematsu’s Empire of the Son at Edmonton’s...
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Ballet For Everyone: A French Classic Updated For The 21st Century
This article is brought to you by Le French May. Long before movie theatres were widespread,...
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Dark Glass Theatre’s “Ruined” Brilliantly Tells A Story Of Humanity Under Seige–But A Predominantly White Audience (Re)Watching Trauma Is Troubling
Vancouver, British Columbia Carla Chambers-Jeffreysreviews Dark Glass Theatre’s production of Lynn...
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All Love for “Black Boys’” Black On Black Love
Montreal, Québec Willow Whitereviews Black Boys, Saga Collectif’s co-production with Buddies in...
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“Uncle Vanya,” Anton Chekhov’s Play, On The London Stage
Uncle Vanya is, perhaps, one of the most hopeless plays by Anton Chekhov. Talking about...
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