Digital Sci-fi Opera “Red Giant”: An Opera Of Our Times
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
Read MorePosted by Jingyi Zhang | 23rd Jul 2021 | Review, Theatre and Opera, United States of America
Red Giant, commissioned by Baltimore-based Indie Opera company, Rhymes with Opera, is a live,...
Read MorePosted by Niloofar Mohtadi | 22nd Jul 2021 | Covid-19, Iran, Participatory Theatre, Review, United States of America
The play White Rabbit Red Rabbit is an experimental piece by the Iranian playwright Nassim...
Read MorePosted by Baobab van de Teranga | 21st Jul 2021 | Essay, Theatre and Dance, Theatre and Decolonization, Theatre and Politics
RECLAIM PUBLIC SPACE! Many ideals are projected onto public space, as if it were inherently...
Read MorePosted by Heidi Norman and Jennifer Newman | 20th Jul 2021 | Australia, Review, Sydney
Wesley Enoch’s exuberant return to the Sydney Theatre Company to direct African-American...
Read MorePosted by Szymon Adamczak | 19th Jul 2021 | Essay, Poland, Theatre and Politics
Artist Szymon Adamczak moves between the Netherlands and his home country Poland. Since the...
Read MorePosted by Ronei Vieira Nogueira and Robson Corrêa de Camargo | 18th Jul 2021 | Adaptation, Between.Pomiędzy 2021, Brazil, Essay, Festivals, Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
Read MorePosted by Gowri S | 17th Jul 2021 | Review, South Korea, Theatre for Young Audiences
Junk Clown, a Korean play for children, brings the concept of recycling to the table through mime....
Read MorePosted by Taiwo Afolabi | 16th Jul 2021 | Canada, Essay, Theatre and Politics
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
Read MorePosted by Tonderai Chiyindiko | 6th Jul 2021 | Acting, Review, South Africa
Percy Mtwa, the legendary playwright and director of multiple award-winning theatre productions,...
Read MorePosted by Mark Byron | 5th Jul 2021 | Essay, Ireland, Playwriting
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
Read MorePosted by Achuthan T K | 4th Jul 2021 | India, News
With few practitioners and fewer resources, Koodiyattam faces an uncertain future. Of all the...
Read MorePosted by Diwan Singh Bajeli | 2nd Jul 2021 | India, Review, Translation
Directed by K.S. Rajendran, Ghosts explores the moral dilemmas of a dysfunctional family. We...
Read MorePosted by Aleks Sierz | 1st Jul 2021 | London, Review, United Kingdom
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of...
Read MorePosted by Aleks Sierz | 30th Jun 2021 | London, Review, Theatre and Dance, United Kingdom
With many theatres now reopening again, it is surely a good moment to celebrate all those venues...
Read MorePosted by Amir Al-Azraki | 28th Jun 2021 | Interview, Iraq, Playwriting
Based on a recent phone interview with Al-Zaidi, the most prominent Iraqi playwright. Ali Al-Zaidi...
Read MorePosted by Klaudia Łączyńska | 27th Jun 2021 | Between.Pomiędzy 2021, Festivals, Poland, Review, Theatre and Politics
In the virtual space of the 12th Between.Pomiędzy Festival of Literature and Theatre, a question...
Read MorePosted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview
This is PART 2 of the interview. To read PART 1, click here. Wiśniewski: When I watched your...
Read MorePosted by Tomasz Wiśniewski and Katarzyna Kręglewska | 26th Jun 2021 | Between.Pomiędzy 2021, China, Covid-19, Interview
Godot in Wuhan was a special session at the Twelfth Between.Pomiędzy Festival conducted within the...
Read MorePosted by Martin Blaszk | 25th Jun 2021 | Between.Pomiędzy 2021, Poland, Review
On a pavement alongside a busy road, a line of people march one behind the other. The person at...
Read MorePosted by Aleks Sierz | 24th Jun 2021 | Review, United Kingdom
Although some theatres are tentatively reopening, the creative vigor of other companies is...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
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The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
