Romeo, Juliet, and You: CoLab Theatre is Back Challenging the Bard with Interactivity
“But he which bore my letter, Friar John, Was stay’d by accident, and yesternight...
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Interview: Mikhail Baryshnikov On The Premiere Of Brodsky/Baryshnikov Project In London
“Fire, Death, Anxiety, Love, Fear…It’s All There.” Brodsky / Baryshnikov is a one-man show based...
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The Transcultural Force of a Chinese-style “Decalogue” in Poland
In May, September, and November 2016, the Stary Teatr in Krakow staged an exquisite and courageous...
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Daughters of Misfortune: Guillermo Calderón’s “Villa”
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
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Se Traspasa: Site-Specific Theatre in the Heart of Madrid – An Interview with Sandra Jiménez
There is a place in Madrid well known for the old things that are sold inside. It is an antique...
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A Dreamed Theatre – Piotr Tomaszuk of Teatr Wierszalin in Conversation with Tomasz Wiśniewski
Founded in 1991 by Piotr Tomaszuk and Tadeusz Słobodzianek, Teatr Wierszalin is currently run by...
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Opera: Sex, Violence, and Politics – An Immersive Exhibition
Scenes depicting graphic sex and violence have a role in modern opera, the departing director of...
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There Is No Friendship In Politics: “Limehouse” Appeals To The Politically Prone
Politics is a serious business, but it’s also a fun spectator sport. Think of the duels in Prime...
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An Interview with Alexander Schroeder OnTheatre and the Refugee Crisis in Berlin
Alexander Schroeder has been working for the last fifteen years in the acting department at the...
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Understated Risk-Taking in Beckettian “Wakey, Wakey”
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
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Nowy Teatr’s “Generation After” Showcases “New School” of Polish Dance and Theatre
From March 23 to 25, Warsaw’s Nowy Teatr, together with the Adam Mickiewicz Institute, presented...
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Kama Ginkas’ “The Black Monk”
While at his family estate in Melikhovo in the early 1890s, Anton Chekhov dreamt of a monk...
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Theatre Review: “The Little Prince” An Inventive Russian Take On Saint-Exupéry’s Modern Classic
The Little Prince–the classic novella by Antoine de Saint-Exupéry–is about a pilot stranded in the...
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A Conversation With Anne Bogart: “I’m Absolutely Certain That Certainty Is Bad”
An originator of the Viewpoints system of training for actors and founder of SITI company,...
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Games And Theatre in Hybrid-Reality
Professor Judith Ackermann studied media, psychology, and computer linguistics prior to taking up...
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Review: “In the Steps of the Ballets Russes: Russian Ballet Icons”
A Spectacular Celebration Of The Russian Tradition The memories of the magical evening with Moscow...
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“The Pitchfork Disney” at Shoreditch Town Hall
Playwright Philip Ridley has one of the most distinctive voices in contemporary theatre. His...
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“Unknown” Polish Directors: Introducing Jacek Głomb
This series continues to introduce Polish directors recognised in Poland and relatively unknown...
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Love Revolution: The Assembly’s “Home/Sick”
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
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Conversation With Iván Pérez, The Founder of INNE and Choreographer for Song of the Goat Theatre
In 2016 Song of the Goat Theatre celebrated the twentieth anniversary of its existence. Founded by...
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