Giving the Leading Role to the Body
Stage movement has managed to secure its place in Polish theatres. The work of a dancer or a...
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Featured
Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
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The Actor is the Message: An Interview with Sophie Rois
The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...
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Storytelling and Catching Wild Birds – Talking Dramaturgy With Shilpa T-Hyland
A conversation about dramaturgy, storytelling and outside eyes with Shilpa T-Hyland, co-artistic...
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Past Due: Sarah Benson Directs Richard Maxwell’s “Samara”
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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“The Plague” at Arcola Theatre
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
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“Expensive Shit” at Soho Theatre
It’s hot. Real hot. And you’re dancing, just lost in music. You’re at the legendary Shrine...
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“The Philanthropist” at London’s Trafalgar Studios
One good reason to visit the theatre is to see stars in the flesh. And some of the biggest celebs...
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Conversation with Mauricio Kartún, Argentinian Playwright and Director
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
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“Ashes Afar”–Andreaa Bortun’s Corruscatingly Intense Anatomy Of Migration
What do we mean by “home?” This is the central question posed by Romanian playwright...
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“Guards at the Taj” at the Bush Theatre
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened...
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“Made in India” by Tamasha Theatre Company Tackles the Subject of Fertility and Surrogacy
Tamasha is a touring company that specializes in cultural diversity. It nurtures new writers and...
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“Don Juan in Soho” Featuring David Tennant
Updating the classics is not without its pitfalls. How can a modern audience, which has a...
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Cyber Theatre in China: Performance or Action?
Twenty years ago, it was inconceivable for people to meet without a physical encounter. But today,...
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David Henry Hwang’s “Chinglish” Premieres in London
There is something strangely genuine and comically truthful about the European première of David...
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“My Country; A Work in Progress” The First Play Explicitly About Brexit
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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Brexit Play Attempts to Break the Bubble
Much has been written over recent months about the apparent bubble in which we are all now living,...
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Hamlet-Inspired “Love in Idleness” at the Menier Chocolate Factory
The rehabilitation of playwright Terence Rattigan has surpassed even the stage when not only are...
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“The Hairy Ape” at the Park Avenue Armory, NYC
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
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