Masami Teraoka + Pussy Riot Choreographer Viktoria Naraxsa in Hawaii
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
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Featured
Bilingual Conversations at the Cervantes Theatre: An Interview With Paula Paz
Interview with Paula Paz, Associate Director of the Cervantes Theatre, the new theatre with hopes of becoming a house of Spanish and Latin American theatre and culture in London.
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Movement At The Museum
Is a museum hall a suitable scene for dance? A number of exhibitions organized during the last...
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“My Country; A Work in Progress” – The First Brexit Play at the National Theatre
Oh dear. The first play explicitly about Brexit is being staged by the National Theatre in a...
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“Come From Away” – New Canadian Musical on Broadway
Come From Away, a relentlessly peppy new musical by the Canadian husband-wife team David Hein and...
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Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
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“Speed Show: Drifting Internet Café”: Diary of a Cyborg Theatre Production in Beijing
In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...
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Theatre and Life of Antonio Latella in a Book-Interview by Emanuele Tirelli
Antonio Latella is one of the leading figures of Italian theater, having worked, as an actor, with...
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Extending a Cherry Branch – Stage Russia HD offers up a Cultural Thaw
“My timing in life has always been suspect,” admitted producer Eddie Aronoff, “and our launch of...
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“Wither on the Vine” Showcases an Environmental Immersive Theatre
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
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Review: “Sex With Strangers” at Hampsted Theatre
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
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“Escaped Alone”: Catastrophe and Fear Meet Surrealism
Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...
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Review: “Low Level Panic” at Orange Tree Theatre
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
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Review: Wallance Shawn’s “Evening at the Talk House”
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
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“Red”: Using the Body to Touch The Contemporaneity of the Past
Red, a documentary play created by Wen Hui’s Living Dance Studio, is based on Red Detachment of...
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I Want To Hear You Breathing: A Conversation With Mischa Dohler
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
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Inside Preparations for the New York Chekhov Festival
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
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Women on the Verge: Caryl Churchill’s “Escaped Alone”
In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...
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“Killer” – An Experiential Thriller
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
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Fusions, Explorations and Making It Make Sense: Talking Dramaturgy with Flavia D’Avila
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
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