Unrest and Discontent – Political Theatre as Agonistic Field
The more the time we are living through seems out of joint, the harder it has been for the...
Read MorePosted by Florian Malzacher | 23rd Oct 2016 | Essay, Germany, Participatory Theatre, Theatre and Politics
The more the time we are living through seems out of joint, the harder it has been for the...
Read MorePosted by Paula Lopez | 23rd Oct 2016 | Brazil, Essay, Festivals, Theatre and Disability
In January 2016, I took part of a round table entitled The Disabled People’s Protagonism in...
Read MorePosted by Sarah Balkin | 22nd Oct 2016 | Canada, Directing, Review
Robert Lepage’s autobiographical show at the Melbourne Festival, 887, is named for his childhood...
Read MorePosted by Robert Duffley | 22nd Oct 2016 | LGBTQ+ Theatre, News, Russia
Out of the Blue, currently playing at Moscow’s Satirikon Theater, is restricted to ages 21...
Read MorePosted by Deepa Ganesh | 21st Oct 2016 | Essay, India
Ninasam Tirugata staged two plays — Kalandugeya Kathe and Atta Dari Itta Puli. One reads the...
Read MorePosted by Megan Geigner | 21st Oct 2016 | Adaptation, Chicago, Musical Theatre, News
The Tempest and Dreamgirls take top honors at the 48th Annual Jeff Awards October 17, 2016 –...
Read MorePosted by Marie Sorbier | 21st Oct 2016 | Festivals, Georgia, News
An askew church tower, an entrance in half-light–some places do not expose themselves that easily....
Read MorePosted by Marcina Zaccaria | 20th Oct 2016 | New York, News, Theatre and Opera, Transmedia, United States of America
Live – what is it and why does it matter? The Metropolitan Opera’s Live in HD series brings opera...
Read MorePosted by Marcina Zaccaria | 20th Oct 2016 | News, Playwriting, Theatre and Opera
A world class librettist, David Henry Hwang’s career has been noted for success in Opera, Musical...
Read MorePosted by Paula Erizanu | 20th Oct 2016 | Czech Republic, Review, Theatre and Politics, Translation
The play Poker Face by acclaimed Czech playwright Petr Kolečko–in Eva Daníčková’s translation and...
Read MorePosted by David O'Donnell | 20th Oct 2016 | New Zealand, Review
Environmental and economic concerns are at the heart of New Zealand playwright Dave Armstrong’s...
Read MorePosted by Maria Pia Pagani | 19th Oct 2016 | Italy, News
On 13th October 2016, Dario Fo died in Milan at age 90. He was one of the most influential artists...
Read MorePosted by Elisabeth Leinslie | 18th Oct 2016 | Essay, Norway
The Norwegian theatre landscape is vast and heterogeneous; as different as the cultures and the...
Read MorePosted by Maria Pia Pagani | 18th Oct 2016 | Acting, Italy, News
In November 2011, in Venice, the Giorgio Cini Foundation officially opened a new permanent space...
Read MorePosted by Fadi Fayad Skeiker | 17th Oct 2016 | Directing, Interview, Portugal
The interview was conducted in Guimarães, Portugal, on October 8, 2016, after I saw his play Nós...
Read MorePosted by Bryce Lease | 17th Oct 2016 | Essay, LGBTQ+ Theatre, Poland
In Poland, the emergence of a public dialogue on alternative sexuality was first and foremost...
Read MorePosted by Nahed Nasr | 16th Oct 2016 | Directing, Iraq, Review, Sweden, Theatre and Politics
Pillars of Blood is a performance focusing on memories of the Iraqi crisis as captured by Anmar...
Read MoreKyoto Experiment, or the Kyoto International Performing Arts Festival, will be held for the...
Read MorePosted by Malini Nair | 16th Oct 2016 | India, Review
After two decades, the fascinating ceremony of a 41-day Sanskrit play performed as a ritual...
Read MorePosted by Marjan Moosavi | 16th Oct 2016 | Essay, Iran
Muharram, the first month of the Islamic (lunar) calendar, coinciding this year with the seventh...
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