Featured Archives - Page 206 of 259

Lupita Nyong’o’s Father Set To Honor Her With A Theatre And Art Center In Kenya

Posted by Ada Okoye | 26th Nov 2017 | Africa, Kenya, News

Anyang Nyong’o is one proud dad who has big plans for his successful daughter: the Oscar...

How Hitchcock’s “Marnie” Inspired An Opera

Posted by Claudia Pritchard | 26th Nov 2017 | Adaptation, Essay, London, Theatre and Opera, United Kingdom

An attractive, able woman preyed upon in the office by two bosses, one of whom uses his power to...

Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville

Posted by Khaleem Ali | 26th Nov 2017 | Boston, France, Review, Theatre and Politics, United States of America

“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...

Natalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK

Posted by James Rowson | 25th Nov 2017 | Review, Russia, Russian Theatre Abroad, Transcultural Collaborations, Translation, United Kingdom

This November, the Royal Court Theatre in London stages the global premiere of Ukrainian...

“The Suppliant Women” at The Young Vic

Posted by Aleks Sierz | 25th Nov 2017 | London, Review, Theatre and Politics, United Kingdom

Asylum is one of the most emotive words in the English language. It evokes valleys of pain,...

Homo Digitalis Meets Zigmagora

Posted by European Theatre Lab | 25th Nov 2017 | France, Georgia, Germany, News, Transcultural Collaborations, Transmedia

What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...

Pablo Remón’s “Barbados Etcétera” – Minimalist Theatre of Words and Presence

Posted by Mara Valderrama | 24th Nov 2017 | Review, Spain

The Ambigú is a tiny space in the Pavón Kamikaze theatre in Madrid; a large hallway bar that often...

“The Suppliant Women” – A New Version for Modern Times

Posted by Duška Radosavljević | 24th Nov 2017 | London, Review, Theatre and Gender, United Kingdom

Lizzie Clachan’s set is a simple stone floor slanting downwards towards the audience in a warm...

Diversity – YES, But How?

Posted by Rie Hammer | 23rd Nov 2017 | Denmark, Essay, Festivals, Theatre and Politics

When can performing arts be considered culturally diverse and inclusive? Where will new...

Ramlila at Prithvi Theatre: Rambunctious and Unforgettable

Posted by Vikram Phukan | 23rd Nov 2017 | Festivals, India, Review

Far from the creaky floorboards and blazing arc lamps of the makeshift prosceniums of Faridabad,...

Clean Hands And Empty Heads: Transparency International’s New Report On Russian Theatre

Posted by Nikolai Klimeniouk | 22nd Nov 2017 | News, Russia, Theatre and Politics

Transparency International-Russia’s recent report on the financial operations of Russia’s state...

“Heather” at The Bush Theatre

Posted by Aleks Sierz | 22nd Nov 2017 | London, Playwriting, Review, United Kingdom

Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their...

A Conversation About Movement, Nationalism, And Collectivity

Posted by Nat Muller and Sandra Noeth | 22nd Nov 2017 | Interview, Theatre and Art, Theatre and Dance, Theatre and Politics

“The grander nationalist ostentatiousness gets, the smaller and quieter bodies...

“One Green Bottle” Exploring Japanese And English Sensibilities

Posted by Nobuko Tanaka | 21st Nov 2017 | Collaborating Across Cultures, Japan, Review, United Kingdom

One Green Bottle is a new-ish work co-written by the renowned Japanese dramatist Hideki Noda and...

“Poison” at The Orange Tree Theatre

Posted by Aleks Sierz | 21st Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...

Sitting With Amanda Parris’ “Other Side Of The Game”

Posted by Hayley Malouin | 21st Nov 2017 | Canada, Review, Theatre and Art, Theatre and Gender, Theatre and Politics

Shelley Liebembuk reviews Cahoots Theatre and Obsidian Theatre’s world premiere of The Other Side...

Council Estates: A Rich Array Of Art Making

Posted by Kate Beswick | 20th Nov 2017 | News, Theatre and Art, United Kingdom

The music video for grime artist Skepta’s award-winning single Shut Down is shot in the concrete...

James Graham’s “Quiz” With Audience Participation

Posted by Gary Shipton | 20th Nov 2017 | Festivals, London, Playwriting, Review, United Kingdom

Life-changing wealth which is won in an instant then recklessly sacrificed a second later is the...

“The Slaves Of Solitude” at The Hampstead Theatre

Posted by Aleks Sierz | 20th Nov 2017 | Adaptation, London, Review, United Kingdom

The Second World War is central to our national imagination, yet it has been oddly absent from our...

“The Retreat” at The Park Theatre

Posted by Aleks Sierz | 19th Nov 2017 | London, Playwriting, Review, United Kingdom

Is Buddhism a path to finding spiritual enlightenment — or just an excuse for not facing your...

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Featured

Lupita Nyong’o’s Father Set To Honor Her With A Theatre And Art Center In Kenya

How Hitchcock’s “Marnie” Inspired An Opera

Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville

Natalya Vorozhbit’s “Bad Roads” At The Royal Court: Russian And Ukrainian Drama In The UK

“The Suppliant Women” at The Young Vic

Homo Digitalis Meets Zigmagora

Pablo Remón’s “Barbados Etcétera” – Minimalist Theatre of Words and Presence

“The Suppliant Women” – A New Version for Modern Times

Diversity – YES, But How?

Ramlila at Prithvi Theatre: Rambunctious and Unforgettable

Clean Hands And Empty Heads: Transparency International’s New Report On Russian Theatre

“Heather” at The Bush Theatre

A Conversation About Movement, Nationalism, And Collectivity

“One Green Bottle” Exploring Japanese And English Sensibilities

“Poison” at The Orange Tree Theatre

Sitting With Amanda Parris’ “Other Side Of The Game”

Council Estates: A Rich Array Of Art Making

James Graham’s “Quiz” With Audience Participation

“The Slaves Of Solitude” at The Hampstead Theatre

“The Retreat” at The Park Theatre

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