The Unlimited House Of Krip: Vogue Ball With D/deaf And Disabled Performers
Disability theatre company, Fittings Multimedia, headed by Garry Robson got an Unlimited...
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Theatre Of The Real: Bengali Playwright Manoj Mitra’s New Work on Socrates
Six decades of writing, acting and directing often inspired by the changing milieu — Bengali...
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“The State Of Siege” (L’état De Siège): A Political Warning
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
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Why Produce Karen Zacarías’ “Just Like Us”? Why now?
When I founded the 50 Playwrights Project the last thing I wanted to do was produce live theatre....
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Life Is Love In A Modern Take On An Ancient Chinese Folktale
The Legend Of White Snake isn’t old–it’s ancient. One of China’s Four Great Folktales (the other...
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Why Harassment Is So Common In The Theatre
The Old Vic has announced that it has received 20 personal testimonies of alleged inappropriate...
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Boston Opera Collaborative’s “Opera Bites” Is A Moveable Feast
Delightfully thought-provoking and fun, the Boston Opera Collaborative’s third annual festival...
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Cleansed Through Chaos: “God Bless Iceland” at The Reykjavik City Theatre
The economic crisis in Iceland was messy, merciless and brought an entire nation completely...
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A Living Mockery: The Ridiculous Theatrical Company At Fifty
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
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Play Written By And For Cancer Patients Tours Shanghai, Beijing
Director of Don’t Be Afraid, Cancer Companions hopes drama project will give survivors confidence...
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Encountering Indonesia At AsiaTOPA (Part 2)
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
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Encountering Indonesia At AsiaTOPA 2017 (Part 1)
This is the first in a two-part series by Barbara Hatley. Read Part 2 here. Indonesian...
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Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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For The Love Of The Game: “Peh LO Tah” at BAM
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
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Tale Of A Wounded Soul
This year’s winner at Mohan Rakesh Samman Evam Natya Samaroh, Ghanshyam Kumar Devansh’s Hastinapur...
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“A Doll’s House” at Circa One
POTENTLY RELEVANT Warning: I’m about to give the (well-known) ending away because the play can’t...
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Kosovo Actors Demand Higher Salaries
The Ministry of Culture said that actors’ salaries will be raised by January of next year after...
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The “Motherline” Project Honors The Stories Of Women With Depth And Diversity
After starting in New York, the storytelling performance made its international debut in Cairo,...
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“Tiny Beautiful Things” at The Public Theatre
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
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“The Revolutionists”: How Far Have We Come?
The Nora Theatre Company at the Central Square Theatre in Cambridge, MA is currently...
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