“Beckett In The City”
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
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Featured
David Storey’s “The March On Russia” at Orange Tree Theatre
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
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Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School
Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...
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Future Shock At The Philadelphia Fringe Festival
The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...
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Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters
Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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The Easy Trigger Of “Guilty Landscapes III”
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
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Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up
A titan of the stage, whose influence over the development of post-War British theatre was...
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Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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“The Blinding Light” at Jermyn Street Theatre
Anyone who likes playing “Spot the weirdo” will find themselves instantly at home in Howard...
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“The Hungry Ghosts” A Comedy About Addiction
Core Artists Ensemble brings Tessa Borbridge’s The Hungry Ghosts to The Barrow Group Theatre this...
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Shakespeare and Decolonization: #ShakespeareMustFall?
The 400th anniversary of Shakespeare’s death in 2016 provided ample room for celebrations and...
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“Road” at The Royal Court
Some legendary plays are a disappointment when you see them again — they don’t live up to the...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part II
To read Part I of this interview, click here. Amin Azimi is an Iranian theatre researcher,...
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Analog Virtual Reality Worlds of SIGNA Performance Group
Signa and Arthur Köstler are the creative directors of SIGNA, the well-known performance...
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“Lions And Tigers” at Sam Wanamaker Playhouse
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
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Iranian Theatre, Its Discontinuity and Discontent: An Interview with Amin Azimi, Part I
Amin Azimi is an Iranian theatre researcher, dramaturg, translator, and director. He studied...
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Joe Orton’s “The Loot” Revived at Park Theatre
Fifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His...
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Rob Drummond’s New Solo Show About Democracy – “The Majority” at The National Theatre
Another plague is sweeping British theatre: audience participation. Instead of just sitting back...
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“Faithful Ruslan ” Flying After an Ideal: Interview with Helena Kaut-Howson
This powerful new stage adaptation of Georgi Vladimov’s cult novel that marks the centenary of the...
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