Kuro Tanino’s “The Dark Inn” Illustrates Our Inability To Let Go Of Our Desires
The darkness of the human condition, where people are enslaved by their own desires in a kind of...
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What Is The State of New Plays in Contemporary China?
Meddling directors, confused actors, and pushy politicians are leaving the country’s budding...
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Nassim Soleimanpour and the Manila Envelope Theatre
Seven years ago, a new play challenged the role of the actor, the playwright, the audience, and the capacity of one individual to travel. The play was White Rabbit Red Rabbit, written by the mysterious Nassim Soleimanpour, an Iranian writer who encouraged the audience to email him with impressions about his play.
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Thomas Ostermeier’s “Richard III” at BAM
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
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“A Feminine Edition”: Women’s Voices Prevail At 2017 Cairo Contemporary Theatre Festival
Ten out of 20 plays at this year’s Cairo International Festival for Contemporary and Experimental...
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“A Day By The Sea” at Southwark Playhouse
Some plays would now be completely forgotten if not for a scandal that makes them memorable. NC...
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Fresh Takes On Fresh Meat, Part 1
Jonas McLean catches the first weekend of Ottawa’s Fresh Meat Fest, a self-described “playground”...
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Corbyn-Era Labour Tackled By David Hare In New National Theatre Play
Sir David Hare will return to the National Theatre with the latest addition to a wave of plays...
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“Jane Eyre” at the National Theatre
Jane Eyre is one of those mythical stories that make their home in your imagination. Where they...
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“The Vanek Trilogy”–Revisiting The Czech Living Room Theatre Tradition–An Interview With Renata Clark
With two more dates left (October 7th and November 25th) the Vanek Trilogy: Living Room Soirees–an...
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“The Knowledge” at Charing Cross Theatre
The black cab is such an iconic symbol of London that it’s easy to forget that inside every taxi...
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“Beckett In The City”
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
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David Storey’s “The March On Russia” at Orange Tree Theatre
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
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Maria Alexandrova: The Bolshoy Prima On Life, Dance, And The London Russian Ballet School
Recently London was abuzz with the new project of the London Russian Ballet School — The Romantic...
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Future Shock At The Philadelphia Fringe Festival
The Philadelphia Fringe Festival, now in its twenty-first year, has been gentrified. What began in...
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Where And How To Find Foreigner-Friendly Performances In Moscow’s Theaters
Moscow is an excellent venue for devoted drama connoisseurs, even if you don’t speak Russian. Here...
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From “Hamlet” To “El Huracán”: An Interview With Charise Castro Smith
While Charise Castro Smith began her career as an actor, in recent years the Miami native has...
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The Easy Trigger Of “Guilty Landscapes III”
Given that the publicity synopsis to Dries Verhoeven’s video installation pretty much tells all,...
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Sir Peter Hall: A Colossus Who Rebuilt British Theatre From The Ground Up
A titan of the stage, whose influence over the development of post-War British theatre was...
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Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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