Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II
Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...
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Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I
Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...
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“The Lorax” An Exciting And Transformative Experience For The Whole Family
The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...
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Intercultural Theatre Practices – Interview With Frances Barbe
Interview conducted as part of the media partnership between Culture360 and International Theatre...
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Review: “Pawâkan Macbeth’s” Call For Reconciliation Spans Time, Language, And Place
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
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“Ashes To Ashes,” By Harold Pinter At The Europe Theatre Prize In Rome
The XIV Europe Prize Theatrical Realities went to Susanne Kennedy, Jernej Lorenci, Yael Ronen,...
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Theatre As A Public Forum And A Place Of Protest: The #MeToo Revolution In Iceland
In his 1991 book Roman Theatre And Its Audience, Richard C. Beacham forms the theory that the...
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Are You Ready to ReOrient? Festival Overview By Vidhu Singh, ReOrient Publications Dramaturg
As a team member of the first-time partnership between Golden Thread Productions and Literary...
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Out Of Character: How Acting Puts A Mental Strain On Performers
Performers are twice as likely as the general population to experience depression, according to...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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“Goats” by Syrian Playwright Liwaa Yazjiat at The Royal Court
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
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The Cage Within: Adaptation of Amrita Pritam’s Celebrated Novel “Pinjar”
Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...
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Special Needs Whirling Dervishes Tell Their Stories With Theatre Play
The whirling dervishes group, “Umudun Kanatları” (“Wings of Hope”),...
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Israeli Theatre Exposure: A Showcase In Tel Aviv
Each year, the Hanoch Levin Institute organizes a showcase of theatre creations: International...
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A Mexican Rendition Of Schmitt’s “Enigma Variations”
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
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The Century Of Yuri Lyubimov
World-renowned Russian and Soviet theatre director Yuri Lyubimov (1917–2014) rose to fame and...
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Impact From Trivia–Jan Versweyveld And “What Is Stage–Dynamics Of Seeing”
In early September, around 20 participants, including I, have ended a magical month as theatre...
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Review: Circadia Indigena’s “Greed/REsolve” Assaults The Senses
Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...
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Performance Research/Performance Practice-ASAP Event, UvA
ASAP is a new initiative of both staff members and students from the Theatre Studies department at the UvA in order to create space for exchange within and around the department of Theatre Studies.
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