“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?
A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...
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“FCUK’D” at The Bunker Theatre
Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...
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A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
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“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
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Japan’s Theater World Increasingly Shed Its Insularities In 2017
Never mind those North Korean missiles that provide politicians with heaven-sent pretexts to...
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“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
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From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
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“Misalliance” at The Orange Tree Theatre
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
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Manuel Pelmus Examines The Performance Art Of Hong Kong Protest
When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...
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The Journey Ahead, Accessible Theatre
As we’re coming towards the New Year, I’ve been reflecting on 2017. I’ve recently been a resident...
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Review: “An Italian Christmas Carol” Haunts Past And Future
Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...
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Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
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In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic
It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...
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Dance And Cultural Exchange: Typologies Of Migration
In dance, migration is not a phenomenon confined to modern times. For numerous reasons artists...
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Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”
Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...
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A View From The Bridge: The Dramaturg’s Work on A Play in Translation
When talking about translation, statistics show an alarming picture. The United Kingdom has the...
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Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival
Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...
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Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
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