Featured Archives - Page 195 of 252

“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language

Posted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics

“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...

Japan’s Theater World Increasingly Shed Its Insularities In 2017

Posted by Nobuko Tanaka | 28th Dec 2017 | Festivals, Japan, News, Producing

Never mind those North Korean missiles that provide politicians with heaven-sent pretexts to...

“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

Posted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom

There are some shows that can simply never be made by men. I don’t mean in the sense of subject...

From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art

Posted by Lauren Dubowski | 27th Dec 2017 | Design, Italy, Poland, Review, Theatre and Art

Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...

“Misalliance” at The Orange Tree Theatre

Posted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom

George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...

Manuel Pelmus Examines The Performance Art Of Hong Kong Protest

Posted by Zolima Citymag | 26th Dec 2017 | China, Hong Kong, News, Theatre and Dance, Theatre and Politics

When asked to pick one word that describes the city of Hong Kong, Romanian performance artist...

The Journey Ahead, Accessible Theatre

Posted by Hannah Treadaway | 26th Dec 2017 | News, Theatre and Disability, United Kingdom

As we’re coming towards the New Year, I’ve been reflecting on 2017. I’ve recently been a resident...

Review: “An Italian Christmas Carol” Haunts Past And Future

Posted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review

Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Posted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations

South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Posted by Sarah Churchwell | 25th Dec 2017 | Essay, Playwriting, Theatre and Politics, United Kingdom, United States of America

It begins “How does a bastard, orphan, son of a whore/And a Scotsman/ dropped in the middle of a...

Dance And Cultural Exchange: Typologies Of Migration

Posted by Franz Anton Cramer | 24th Dec 2017 | Essay, Europe, Theatre and Dance

In dance, migration is not a phenomenon confined to modern times. For numerous reasons artists...

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Posted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics

An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Posted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America

Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...

A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”

Posted by Diwan Singh Bajeli | 24th Dec 2017 | India, Review

Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...

A View From The Bridge: The Dramaturg’s Work on A Play in Translation

Posted by Katalin Trencsényi | 24th Dec 2017 | Essay, Translation, United Kingdom

When talking about translation, statistics show an alarming picture. The United Kingdom has the...

Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival

Posted by Maria Pia Pagani | 23rd Dec 2017 | Festivals, Italy, Review, Romania, Theatre and Opera

Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...

Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington

Posted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender

Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects about her teaching practice...

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I

Posted by Kee-Yoon Nahm | 22nd Dec 2017 | Education, Interview, Playwriting, South Korea

Award-winning South Korean playwright and educator Ko Yeon-ok reflects on her teaching practice in...

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Featured

“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language

Japan’s Theater World Increasingly Shed Its Insularities In 2017

“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

From “Tarantella” To Theatre Design: Prampolini And Polish Futurism At The Łódź Museum Of Art

“Misalliance” at The Orange Tree Theatre

Manuel Pelmus Examines The Performance Art Of Hong Kong Protest

The Journey Ahead, Accessible Theatre

Review: “An Italian Christmas Carol” Haunts Past And Future

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

In “Hamilton,” Lin-Manuel Miranda Turned The Story Of A Forgotten Founding Father Into A Modern Musical Classic

Dance And Cultural Exchange: Typologies Of Migration

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

A Matter Of Grave Concern: The Oldest Theatre Group in Delhi Stages “Kafan” and “Kafan Chor”

A View From The Bridge: The Dramaturg’s Work on A Play in Translation

Verdi’s “A Masked Ball” – A Debut For The Galati Theatre Festival

Female Desire In Experimental Postdramatic Theatre: “Body Double” Directed By Eleanor Bishop, BATS Theatre, Wellington

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part III

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part II

Playwriting Education In South Korea: In Conversation With Ko Yeon-ok, Part I

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