Theatre, Technology, and “The Tempest” – Interview With Sarah Ellis
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
Read MorePosted by Ágnes Bakk | 5th Feb 2017 | Interview, London, Participatory Theatre, Transmedia, United Kingdom
Sarah Ellis is the head of digital development at the Royal Shakespeare Company. She first studied...
Read MorePosted by Elinor Fuchs | 4th Feb 2017 | New York, Review, Theatre and Age, United States of America
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
Read MorePosted by Aleks Sierz | 4th Feb 2017 | Essay, Theatre and Politics, United Kingdom
This year has got off to a very slow start, with exciting new British plays being exceedingly...
Read MorePosted by Leah Lord | 3rd Feb 2017 | Interview, London, Russia, Theatre and Dance, United Kingdom
The London Russian Ballet School is unique in its offer of an authentically Russian ballet...
Read MorePosted by Aleks Sierz | 3rd Feb 2017 | Essay, Playwriting, Theatre and Gender, United Kingdom
When Sarah Kane was still alive, it was vital to support her work — her style was so raw, so...
Read MorePosted by Susan Berardini | 3rd Feb 2017 | Argentina, News, Producing
Buenos Aires is widely recognized by many as the theater capital of South America, and both the...
Read MorePosted by Lauren Dubowski | 2nd Feb 2017 | Directing, News, Poland, Theatre and Gender
The French-Polish director Anna Smolar, born in 1980, was awarded the 2016 Polityka Passport in...
Read MorePosted by Marcina Zaccaria | 2nd Feb 2017 | Directing, Interview, Musical Theatre, United Kingdom
Jim Steinman’s Bat Out of Hell – The Musical is opening with a burst of energy at the...
Read MorePosted by Jeff Robson | 1st Feb 2017 | Adaptation, Review, United Kingdom
The antithesis of some of the slick, accomplished television premieres of the festive season was...
Read MorePosted by Baharak Sahami | 1st Feb 2017 | Iran, Review
The Kitchen, a one-hour, forty-minute play directed by Mohammad Hassan Ma’jooni, was staged in...
Read MorePosted by Joel Hodge | 31st Jan 2017 | Australia, Essay, Ireland, Sydney
Colm Tóibín’s play and the Booker-nominated novella The Testament of Mary aims to “demythologise”...
Read MorePosted by Vikram Phukan | 31st Jan 2017 | Festivals, India, News
A crowd-funding campaign that has quietly been doing the rounds of theatre circles is now...
Read MorePosted by Svetlana Ulanovskaya | 31st Jan 2017 | Belarus, Review, Theatre and Dance
During the last decade, two interconnected processes of legalization and professionalization have...
Read MorePosted by Bauke Lievens | 30th Jan 2017 | Belgium, Essay
“Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous form of...
Read MorePosted by Alice Jones | 30th Jan 2017 | London, News, Review, United Kingdom
The Hypocrite Could this be the new One Man, Two Guvnors? Richard Bean is back, with a riotous new...
Read MorePosted by Lola Proaño Gomez | 29th Jan 2017 | Ecuador, Festivals, News
On November 17–27, 2016, Loja, considered the cultural capital of Ecuador because of its long...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 29th Jan 2017 | Adaptation, News, Russia
The Vakhtangov Theatre’s interpretation of Leo Tolstoy’s famous novel, Anna Karenina, is...
Read MorePosted by Rachel E. Diken | 28th Jan 2017 | New York, Review, United States of America
A brief—dashed, if you will—argument for the relevance, humanness, and endearment of themes in...
Read MorePosted by Ramona Taranu | 28th Jan 2017 | Japan, Review
Current Location (Genzaichi in Japanese), written and directed by Okada Toshiki, founder of the...
Read MorePosted by Mara Valderrama | 28th Jan 2017 | Review, Spain, Theatre and Gender
TNT El Vacie is one of the most unique theatre companies in Spain. This group of Gypsy illiterate...
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