Spaces of Agency: Conversation with Maya Zbib of Zoukak Theatre Collective and Cultural Association
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
Read MorePosted by Amal Khalaf | 23rd Jan 2017 | Interview, Lebanon, Participatory Theatre, Producing, Theatre and Gender, Theatre and Politics
Based in Beirut, Zoukak Theatre Collective and Cultural Association was established in 2006, and...
Read MorePosted by KaiChieh Tu | 23rd Jan 2017 | Essay, Taiwan, Theatre and Dance
As the darkness creeps in, the already crowded plaza in front of the National Taichung Theater...
Read MorePosted by Kristof Van Baarle | 22nd Jan 2017 | Belgium, Immersive Theatre, Review, Transmedia
In this time of superdiversity, with different cultures and strata of the population living...
Read MorePosted by Alice Jones | 22nd Jan 2017 | London, News, Theatre and Politics, United Kingdom
This week, In the Depths of Dead Love opened at The Print Room in London. The play, by Howard...
Read MorePosted by The Theatre Times | 22nd Jan 2017 | Adaptation, News, Nigeria
AbOriginal Theatre, the theatre arm of AbOriginal Productions, returned with its latest theatrical...
Read MorePosted by Denise Baden | 22nd Jan 2017 | Cuba, News, Theatre and Politics, United Kingdom
The response to the death of Cuban revolutionary leader Fidel Castro has been striking for its...
Read MorePosted by Kasia Lech | 21st Jan 2017 | News, Poland, Puppetry, Theatre and Politics
The final Polish premiere of 2016 was Triumf Woli [The Triumph of the Will] prepared by the...
Read MorePosted by Ati Metwaly | 21st Jan 2017 | Egypt, News
On January 6th, the Egyptian culture scene lost one its highest pillars, Nehad Selaiha, a woman...
Read MorePosted by Lola Proaño Gomez | 21st Jan 2017 | Bolivia, News
The idea of celebrating the 25 years of Theatre of the Andes (Teatro de los Andes) was born from...
Read MorePosted by Sara Jansen | 20th Jan 2017 | Essay, Japan, Playwriting
In May 2016, Japanese writer and director Toshiki Okada presented his latest production, Time’s...
Read MorePosted by Andrea Pelegri Kristić | 20th Jan 2017 | Chile, Festivals, Germany, Review, Transcultural Collaborations, Translation
On July 4th, 1999, almost 1700 low-income families in Peñalolén, Santiago de Chile illegally...
Read MorePosted by Armando Rotondi | 20th Jan 2017 | Adaptation, Essay, Italy
The origin of the figure of Don Juan and, at the same time, of the related Statue of the Commander...
Read MorePosted by Aida Rocci | 19th Jan 2017 | News, Spain, Transcultural Collaborations, United Kingdom
Rodrigo Arribas (from Span’s Fundación Siglo de Oro) describes the transnational collaborative process that gave rise to his company, which has been the first to present a non-English speaking author at the Shakespeare Globe. Reflecting on the models that have arisen from the collaboration between Spain and the UK, he reflects on what differentiates and unites us in theatre.
Read MorePosted by Aleks Sierz | 19th Jan 2017 | Review, Theatre and Disability, United Kingdom
You could call it the Corbynisation of new writing. In the past couple of years, a series of plays...
Read MorePosted by Andrew Edwards | 19th Jan 2017 | Dramaturgy, Interview, Scotland
Dosed up on caffeine on another rainy day in Glasgow. Ideal conditions to talk about dramaturgy...
Read MorePosted by Kee-Yoon Nahm | 18th Jan 2017 | Essay, South Korea, Theatre and Gender, Theatre and Politics
Theatre Company Gorae’s Red Poem, written and directed by company founder Lee Hae-Sung, recently...
Read MorePosted by Mathias Daval | 18th Jan 2017 | Divine Comedy Festival 2016, Festivals, News, Poland
The Boska Komedia festival (“Divine Comedy”) in Krakow is one of the highlights of Polish theatre...
Read MorePosted by Maria Pia Pagani | 18th Jan 2017 | Essay, Italy, Puppetry, Theatre and Dance
Virgilio Sieni is one of the most important Italian dancers and choreographers, and Mimmo...
Read MorePosted by Jack Wernick | 17th Jan 2017 | New York, Review, Theatre and Opera, United States of America
There is no doubting the ambitions of Mata Hari, enjoying its world premiere at HERE, in New...
Read MorePosted by Dione Joseph | 17th Jan 2017 | Dramaturgy, Essay, New Zealand, Participatory Theatre
Playwright and dramaturge Gary Henderson points out that classic rugby analogies, although...
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