Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
Read MorePosted by Alice Jones | 13th Mar 2017 | Acting, Interview, London, United Kingdom
“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...
Read MorePosted by Sun Xiaoxing | 12th Mar 2017 | China, Review, Transmedia
In Shuzo Oshimi’s comic series, Drifting Net Café, the protagonist runs into his first love from...
Read MorePosted by Armando Rotondi | 10th Mar 2017 | Books, Directing, Interview, Italy
Antonio Latella is one of the leading figures of Italian theater, having worked, as an actor, with...
Read MorePosted by Lionel Mandrake | 9th Mar 2017 | News, Producing, Russia
“My timing in life has always been suspect,” admitted producer Eddie Aronoff, “and our launch of...
Read MorePosted by Clement Lee | 8th Mar 2017 | China, Hong Kong, Immersive Theatre, Review
Something absolutely terrific happened at Tai Lam Interchange Tunnel Farm in Hong Kong last...
Read MorePosted by Aleks Sierz | 8th Mar 2017 | London, Review, United Kingdom
The current crisis in British new writing for the theatre is exemplified by the reliance of so...
Read MorePosted by Jonathan Kalb | 8th Mar 2017 | Review, Theatre and Age, Theatre and Politics, United Kingdom
Like Beckett and Pinter, Caryl Churchill is writing fugues in old age (she’s 77). Far Away, A...
Read MorePosted by Aleks Sierz | 6th Mar 2017 | Review, Theatre and Gender, United Kingdom
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated...
Read MorePosted by Jonathan Kalb | 6th Mar 2017 | New York, Review, Theatre and Politics, United States of America
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
Read MorePosted by Zhuang Jiayun | 6th Mar 2017 | China, Review, Theatre and Dance
Red, a documentary play created by Wen Hui’s Living Dance Studio, is based on Red Detachment of...
Read MorePosted by Beatriz Cabur | 4th Mar 2017 | Immersive Theatre, Interview, Transmedia, United Kingdom
The Theatre Times recently republished an article called “A New Form of Theatre Consumption...
Read MorePosted by Adrien Smith | 3rd Mar 2017 | Directing, Festivals, Interview, New York, Russia, United States of America
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
Read MorePosted by Jessica Rizzo | 2nd Mar 2017 | New York, Review, Theatre and Age, United States of America
In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Andrew Edwards | 28th Feb 2017 | Dramaturgy, Interview, Scotland, Theatre and Dance, Transcultural Collaborations
An interview with Edinburgh-based theatre-maker Flavia D’Avilia about dramaturgy and...
Read MorePosted by Adam Sherwin | 28th Feb 2017 | London, News, United Kingdom
The Breaking Bad star Bryan Cranston will make his London stage debut in a National Theatre...
Read MorePosted by Chen Ran | 27th Feb 2017 | China, Essay, Immersive Theatre
The stage is a natural home for performance art, but any location where a performance can happen...
Read MorePosted by Aleks Sierz | 27th Feb 2017 | Belgium, Review, Theatre for Young Audiences
How do you stage appalling real-life events? I mean, without either being too luridly voyeuristic...
Read MorePosted by Oana Stoica | 25th Feb 2017 | Essay, Romania
Historical Context Twenty‑five years after the fall of the communist regime, the performing arts...
Read MorePosted by David O'Donnell | 24th Feb 2017 | Design, Interview, New Zealand
The light fades to a darkness more intense than a starless night on a country road. As the eyes...
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