Which Theatre Style Connects With You the Most, Asks Deepro Roy’s New Play
In his play Azad Theatre, Deepro Roy uses a singular set as the backdrop to spar a debate on two...
Read MorePosted by Sweta Akundi | 4th Sep 2019 | India, Interview, Playwriting
In his play Azad Theatre, Deepro Roy uses a singular set as the backdrop to spar a debate on two...
Read MorePosted by Kaggwa Andrew Mayiga | 4th Sep 2019 | Adaptation, Review, Theatre and Politics, Uganda
It is not a usual thing seeing Ugandan writers’ works celebrated years after they were created. Of...
Read MorePosted by Malavika Balasubramanian | 3rd Sep 2019 | Edinburgh 2019, Essay, India, United Kingdom
For years, the Edinburgh Fringe Festival, those three performance-packed weeks in August, has been...
Read MorePosted by Barbara Gabriel | 3rd Sep 2019 | Adaptation, Canada, Review
Chicago. 1928. The hard-boiled boozy reporters on the crime beat are sitting around a...
Read MorePosted by Barbara Gabriel | 2nd Sep 2019 | Canada, Review, Theatre and Politics
Arthur Miller’s classic play about the 17th-century witchcraft trials in colonial Salem,...
Read MorePosted by Wendy Arons | 2nd Sep 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
A couple of weeks ago The New Yorker featured an article by Kelefa Sanneh about the work of Dr....
Read MorePosted by Mert Dilek | 1st Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Sisterhood and female companionship were at the heart of some of the most popular plays at the...
Read MorePosted by Christine Deitner | 31st Aug 2019 | Los Angeles, Review, United States of America
Incest, attempted murder, attempted rape, and a family desperately seeking out a better life only...
Read MorePosted by Nobuko Tanaka | 30th Aug 2019 | Japan, Review, Theatre and Politics
The sudden Aug. 3 closure of After “Freedom of Expression?” — a multi-artist exhibit...
Read MorePosted by Mert Dilek | 30th Aug 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
It should be not at all surprising that climate change was one of the hot topics of this year’s...
Read MorePosted by Vikram Phukan | 29th Aug 2019 | India, Review, Theatre and Gender
Patchworks Ensemble’s new play, Shikaar explores the insidious culture of instigation...
Read MorePosted by Vikram Phukan | 28th Aug 2019 | Acting, India, Review
Sanhita Manch’s third edition will stage four original plays that celebrate homegrown talent in...
Read MorePosted by Alvina Ruprecht | 27th Aug 2019 | Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 26th Aug 2019 | Canada, Review, Theatre and Dance
Time has passed and even if Alegría does not capture the in depth artistry brought about by...
Read MorePosted by Natasha Lomonossoff | 26th Aug 2019 | Canada, Review, Theatre and Disability
A play based on the memoir of Globe and Mail journalist Ian Brown’s experience of bringing up his...
Read MorePosted by Baharak Sahami | 25th Aug 2019 | Iran, Review, Theatre and Politics
A successful play is a machine all of whose parts are thoughtfully selected to serve its overall...
Read MorePosted by Ketaki Datta | 25th Aug 2019 | India, Review, Theatre and Gender
Recently, Tata Steel Kolkata Literary Meet presented us with exquisite production, Gauhar, by the...
Read MorePosted by Irina Yakubovskaya | 24th Aug 2019 | Boston, Canada, Interview, Transcultural Collaborations, United States of America
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
Read MorePosted by Aleks Sierz | 24th Aug 2019 | Review, United Kingdom, United States of America
Playwright Branden Jacobs-Jenkins is one of America’s finest. In London, we are now catching up...
Read MorePosted by Kaggwa Andrew Mayiga | 23rd Aug 2019 | Producing, Review, Rwanda
The year 1994 In 1994, Nelson Mandela had been free since 1990, but a candidate in the upcoming...
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