Self-Organizing Systems, Stickiness and Mental Resistance… An Interview with Mette Ingvartsen on Moving in Concert (2019)
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Bojana Cvejić | 24th Sep 2020 | Belgium, Denmark, Immersive Theatre, Interview, Theatre and Politics
SEEDS Bojana Cvejić: In your solo 21 Pornographies, the last scene, in which you are relentlessly...
Read MorePosted by Michael Schweikardt | 22nd Sep 2020 | Design, Interview, United States of America
On Monday, August 31st, 2020, Rattlestick Playwrights Theater presented a benefit concert...
Read MorePosted by John O'Regan | 17th Sep 2020 | Festivals, Interview, Poland, Theatre and Politics, Transcultural Collaborations, Transmedia
LILIAN, the debut radio play from award-winning composer Kasia Głowicka, will premiere Friday,...
Read MorePosted by Clare Cioffero | 16th Sep 2020 | Interview, New York, Playwriting, Polish Theatre Archives, United States of America
For theater, I like to give myself constraints. So for this, the constraint was that I wanted to write this for two people, partially because I love 2-person plays. There aren’t enough of them, and also, they’re so much more producible, and it’s amazing to watch two people pull something off, so I gave myself that challenge. It sort of opened up the door for me in terms of what the piece was going to be like stylistically – I wanted it to be a bunch of different genres and I wanted it to be ironic and funny and also heartfelt at the same time. That was all sort of outside-in thinking about this piece which isn’t always how it is, but helped me get into it. The more I worked on it, the more I have fallen in love with the characters and their story, but it frankly came about by thinking about the structure itself, and what I wanted to play to feel like and how I wanted it to be formed versus what it was actually going to be – form then content rather than the other way around.
Read MorePosted by Armando Rotondi | 11th Sep 2020 | Devised Theatre, Germany, Interview
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
Read MorePosted by Madison Parrotta | 8th Sep 2020 | Interview, Theatre and Disability, United Kingdom
In July of 2020, Disability Arts Online (DAO) announced their three Associate Artists—Ashok...
Read MorePosted by Monika Kwaśniewska | 4th Sep 2020 | Acting, Interview, Poland, Senegal
Monika Kwaśniewska: What is your educational background in the arts? Did you graduate from drama...
Read MorePosted by Kenrick Davis | 2nd Sep 2020 | China, Covid-19, Devised Theatre, Interview
Zhejiang, East China — Even by circus standards, the past 12 months have been a wild ride for...
Read MorePosted by Irina Yakubovskaya | 1st Sep 2020 | Interview, Theatre and Dance, Theatre and Disability, Transmedia
Heidi Latsky is a dancer and a choreographer who puts her vision of an inclusive integrated world...
Read MorePosted by Irem Yasar | 31st Aug 2020 | Acting, Interview, Switzerland, Turkey
Sometimes a small event, a work of art or a life story can inspire us, unexpectedly change our...
Read MorePosted by Rhiannon Ling | 30th Aug 2020 | Interview, Norway, Theatre for Young Audiences, Transcultural Collaborations, United Kingdom
It’s no secret that climate change is a universal topic, a subject that has only just begun to...
Read MorePosted by International Online Theatre Festival | 27th Aug 2020 | Australia, Covid-19, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
The Yirra Yaakin Theatre Company is the Australia’s biggest Aboriginal-led theatre company. Yirra...
Read MorePosted by Gowri S | 25th Aug 2020 | Covid-19, Interview, Theatre and Politics
As live play performances and readings crowd virtual platforms, theatre is going through a...
Read MorePosted by Ian Kiyingi Muddu | 17th Aug 2020 | Interview, Transcultural Collaborations, Uganda, United Kingdom
John Rwoth-Omack is a Ugandan-born theatre artist, bred and based in the UK. A lover of African...
Read MorePosted by Irina Yakubovskaya | 14th Aug 2020 | Interview, Participatory Theatre, Russian Theatre Abroad, Transcultural Collaborations, Transmedia, United States of America
Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
Read MorePosted by James Montaño | 13th Aug 2020 | Interview, LGBTQ+ Theatre, Theatre and Gender, United States of America
On August 15, 2020 composer and performer Karl Saint Lucy, director Raquel Cion, and ChamberQueer...
Read MorePosted by Nobuko Tanaka | 8th Aug 2020 | Covid-19, Interview, Japan
This past week, health officials called for more than 800 theatergoers to be tested for COVID-19...
Read MorePosted by Alma Söderberg | 7th Aug 2020 | Germany, Interview, Transmedia
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
Read MorePosted by Merényi Ágnes | 6th Aug 2020 | Hungary, Interview, Transcultural Collaborations
The idea of creating the Central European University was conceived in 1989, and its foundation...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 

“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 