In Space, No-One Can Hear you Quarantine: San Diego Fringe Theatre Artists Discuss a Year-Long Collaborative Online Monologue Project.
The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...
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Interview
In Conversation with Hanane Hajj Ali
The occasion of this interview is Hanane Hajj Ali was chosen to receive the 2020 Gilder/Coigney...
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Our Experiments: Upcycling in Theatre – An Interview with “Upcycling” Costume and Set Designer Reet Aus from Estonia
Reet Aus has spent her career in fashion and theatre committed to sustainability, where she’s...
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Exploring and Humanizing the Nuances of Black American History Through Theatre: Conversation With Playwright and Actor Stephen Sampson.
Driven by his appreciation for authenticity and history, Stephen Sampson created his theatre...
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Our Experiments: How Dakh Theatre Went Digital
An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...
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“I Imagine “Future” as a Hologram Rather Than as a Frozen Marble Sculpture”: An interview with choreographer Galina Borissova
Galina Borissova is a dancer and choreographer, working mainly in the field of modern and...
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Dramaturgy as “A Poem About The Unknown”: Producing Dance Theatre About the Future During Uncertain Times
A Poem About the Unknown is a dance theatre performance directed by Chinese dance artists Lian...
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On Changing The Disability Inclusion Narrative: An Interview With Theater Breaking Through Barriers’ Nick Viselli
Inclusion has quickly become the commanding narrative in the theater world, but when it comes to...
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“The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich
When Rebecca Greene Udden graduated from Rice University, she decided to make Houston her...
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Choosing the Stories You Tell: An Interview with Kelley Girod
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
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Minecraft Plays in Covid Times with Director/Artist Susie Lawrence
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
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Out of the Darkness: A “Visit” with Lighting Designer Japhy Weideman
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
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The Rise of the Ridiculous in “Circle Jerk” by Fake Friends
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
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Searching for the Origin of the Korean Wave: The Nanhee’s MIMAJI!
The Korean theatre company The Nanhee premiered its new production Mimaji!, written and directed...
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Maintaining Whoville: Interview with Designers Chris Rynne and Shelly Williams
For the past twenty-three years, The Old Globe’s production of Dr. Seuss’ How The Grinch Stole...
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On Contemporary Art as Part of Culture’s DNA: Interview with Mira Todorova
Five years ago in November, a new space for contemporary dance and performance opened its doors in...
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“Imagining Marvin”: A Tribute to How Far (and Not Far) We’ve Come
An interview with Ryan Shaw In our new digital era, it was an honor to have a Zoom sit-down with...
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A Marriage of Art and Cultures: Leung Ming-kai and Kate Reilly
Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly...
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A Son, His Father, and Steampunk: Reliving Days of Future Past
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
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“Comfort and Joy” Just When We Need it the Most: A Conversation with Director Aoife Spillane-Hinks
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
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